Andy Warhol
Shadow (Diamond Dust)
1977
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Andy Warhol
Shadow (Diamond Dust)
1977
Physical Qualities
Synthetic polymer paint, diamond dust, and silkscreen ink on canvas, 78 1/16 x 50 1/16 in. (198.3 x 127.2 cm.)
Credit Line
Purchase with funds provided by Laura R. Burrows, Baltimore; and partial gift of The Andy Warhol Foundation for the Visual Arts, Inc.
Object Number
1994.32
Andy Warhol turned to abstraction in his Shadow (Diamond Dust) series, marking a radical shift from his popular, vibrant representations of cultural icons and commodity symbols. While still representational, these paintings depict images of actual shadows photographed in his studio, screenprinted onto canvas, and embellished with paint and inexpensive crushed glass that he referred to as “diamond dust.”
The resulting paintings feel mysterious and enigmatic. The glitz and glimmer of the diamond dust confuse an austere reading of these strikingly monochromatic works. In life, as shadows change and vanish, we understand them as both something and nothing. These paintings concentrate on the unseen, the unknown, and perhaps the unsaid.
Joseph D. Ketner II, "Andy Warhol: The Last Decade," Milwaukee Art Museum, September 23, 2009-January 3, 2010; circulated to Museum of Modern Art, Fort Worth, February 15-May 15, 2010; Brooklyn Museum of Art, June 18-September 12, 2010; and The Baltimore Museum of Art, October 17, 2010-January 9, 2011.
John Dorsey, "BMA acquires 18 Warhols," "The Sun," Baltimore, Maryland, May 5, 1994, pp. 1A, 25A.
Joseph D. Ketner II, "Andy Warhol: The Last Decade," Milwaukee/New York: Milwaukee Art Museum/DelMonico Books, 2009, no. 19, pp. 110, 206, ill. p. 110.
De Salvo, Donna M. Andy Warhol—From A to B and Back Again. New York: Whitney Museum of American Art, 2018.
Inscribed: BACK: (black stamp), 'THE ESTATE/OF/ANDY WARHOL(encircled)' at either UL or upside down at LR; 'PA 65.078', (black marker) on C vertical stretcher, at either UC or upside down at BC.
