Michele Van Hout Le Beau and Aubusson (Manufacture Royale d'Aubusson, after 1665)
Soleil Marin
1954-1964
Scroll
- Designer: Michele Van Hout Le Beau
- Manufacturer: Aubusson (Manufacture Royale d’Aubusson, after 1665)
Soleil Marin
1954-1964
Physical Qualities
Wool wefts, cotton warps, 39 1/4 x 59 1/2 in. (99.7 x 151.1 cm.)
Credit Line
Gift of Germaine Sharretts, Cockeysville, Maryland
Object Number
2009.152
Michele Van Hout Le Beau was a near contemporary of Jean Lurçat (1892-1966), a French painter who promoted a revival of the art of tapestry in the mid-20th century. Lurçat argued that tapestries were the ideal wall decoration to replace frescoes in modern homes, and were better suited to modern tastes. Although she did not study under Lurçat, several of Lurçat's principles are seen in Le Beau's tapestry Soleil Marin. The treatment of the fishing boats, their reflections in the water, and the large circular sun is consistent with Lurçat's reliance on simple forms and a lack of perspective. He also advocated a limited color palette.
Baltimore Museum of Art by gift, 2009; Germaine Sharetts, Paris, France by purchase, c. 1962.
Curator's Choice Rotation
Note: Add BMA Today and BMA Website.
P. Boussel. P. Masteau. Etc. Le Yaouance. Tapisseries de Michele Van Hout Le Beau. Scuputers de Michel Fogeois. Centre Culturel du Chateau de Vascoeuil. 12-5-1978 through 1-10-1978. Paris, Ed. Editions La Forestiere/Chateau de Vascoeuil, 1978.
Barty Phillips, Tapestry, p. 140-42.
Barty Phillips, Tapestry, p. 140-42.
Inscribed: Signature of artist woven into front center: "MICHELE V.H. LE BEAU" Initials of weaver also woven at extreme lower left (viewer's): LB/A
