Henri Matisse
Standing Odalisque, Tambourine in Her Right Hand
1921
Scroll
Henri Matisse
Standing Odalisque, Tambourine in Her Right Hand
1921
Physical Qualities
Oil on canvas, 22 1/16 x 15 3/16 in. (55.9 x 38.4 cm.)
Credit Line
The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland
Object Number
1950.247
The Baltimore Museum of Art by bequest 1949; Etta Cone, Baltimore, 1929; Claribel Cone(?) by purchase, 1923; from Galerie Bernheim-Jeune, Paris
Henri Matisse: La Musicalité d'une oeuvre
Cone Wing Rotations 2021
Cone Wing Rotations 2022
The Baltimore Museum of Art, "Cone Collection of Modern Paintings and Sculpture," Baltimore: The Baltimore Museum of Art, 1930, p. 5/6, no.18/39. (Published as "Odalisque")
Etta Cone, "The Cone Collection of Baltimore-Maryland," Baltimore: Etta Cone, 1934, p. 24, pl. 52, ill. (Published as "Odalisque au Tambourin")
George Boas, Adelyn D. Breeskin, and J.G. D'Arcy Paul, "Selections from the Cone Collection," "News of The Baltimore Museum of Art," October 1949, vol. 13, no. 1, p. 16. (Published as "Odalisque with Tambourine")
Alfred H. Barr, Jr., "Matisse: His Art and His Public," New York: The Museum of Modern Art, 1951, p. 557. (Published as "Odalisque with Tambourine")
George Boas, Adelyn Breeskin, and Gertrude Rosenthal, "Cone Collection: A Handbook with a Catalogue of Paintings and Sculpture," Baltimore: The Baltimore Museum of Art, 1955, p. 34, no. 62. (Published as "Odalisque with Tambourine")
Barbara Pollack, "The Collectors: Dr. Claribel and Miss Etta Cone," Indianapolis: The Bobbs-Merrill Company, Inc., 1962, p. 146. (Published as "Odalisque with Tambourine")
George Boas, Adelyn Breeskin, and Gertrude Rosenthal, "Paintings, Sculpture, and Drawings in the Cone Collection," Baltimore: The Baltimore Museum of Art, 1967, p. 67, no. 59. (Published as "Odalisque with Tambourine")
Massimo Carrà and Mario Luzi, "L'opera di Matisse dalla rivolta 'fauve' all'intimismo 1904-1928," Milan: Rizzoli 1971, pp. 101, 102, 113, 114 no. 381, ill. (Published as "Odalisca con Tamburello")
The National Museum of Modern Art, Tokyo, ed., "Matisse," Tokyo: The National Museum of Modern Art, Tokyo, 1981, pp. 85, 199-200, no. 61, ill. (Published as "Odalisque with Tambourine")
Pierre Schneider, Massimo Carrà and Xavier Deryng, "Tout l'Oeuvre Peint de Matisse 1904-1928," Paris: Flammarion, 1982, pp. 101-102, 115, no. 381, ill. (Published as "L'Odalisque au Tambourin")
Brenda Richardson, "Dr. Claribel & Miss Etta: The Cone Collection of The Baltimore Museum of Art," Baltimore: The Baltimore Museum of Art, 1985, pp. 173, 198.
Jacqueline and Maurice Guillaud, "Matisse: Le Rythme et la Ligne," Paris: Guillaud Editions, 1987, p. 188, nos. 175, 176, ill. (Published as "L'Odalisque au tambourin")
Guy-Patrice and Michel Dauberville, "Henri Matisse Chez Bernheim-Jeune, vols. 1-2" Paris: Éditions Bernheim-Jeune, 1995, pp. 1153, 1441, no. 581, ill. (Published as "Odalisque au tambourin")
Nobuyuki Senzoku and Akira Tomita, "Matisse and Modern Masters from the Cone Collection of The Baltimore Museum of Art," Tokyo: Brain Trust Inc., 1996, pp. 72-73, 159, no. 24, ill.
Charles Darwent, "Double Vision," "The Independent," June 17, 2001, p. 20. (Published as "Odalisque with Tambourine")
Eric M. Zafran, "Impressionism to Surrealism from The Baltimore Museum of Art," Hartford: Wadsworth Atheneum, 2002, p. 18, no. 26.
Inscribed: Recto: Lower right in paint, "Henri Matisse"
