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Still Life of a Bowl of Fruit

Esther Abbott and Mary Balch's Academy

Still Life of a Bowl of Fruit

1799

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Still Life of a Bowl of Fruit

1799

Physical Qualities Silk ground, silk embroidery threads, bast fiber canvas backing, original eglomisé mat and gilded frame, Framed (Original): 9 1/4 × 10 5/8 × 1 3/4 in. (23.5 × 27 × 4.4 cm.)
Credit Line Gift of Mrs. Francis White, from the Collection of Mrs. Miles White, Jr.
Object Number 1973.76.322
Mary Balch (1762–1831) taught in Providence for 45 years, during which time her students produced superb samplers and silk embroideries. As fashions changed, Balch responded with new designs. Between 1797 and 1799, samplers at the Balch school became bolder and simpler as bowls of fruit replaced the figures found in earlier work. As the neoclassical style took hold around 1800, silk embroideries supplanted samplers at the school, and the bowls of fruit that had earlier appeared in the samplers were instead worked in silk threads on a silk satin ground. This silk embroidery is attributed to Esther Abbott on the basis of its similarity to that of Elizabeth Abbott (1786–1839), who is believed to have been her sister and a fellow student at the Balch school.
Baltimore Museum of Art by gift, 1973; Nancy Brewster (Mrs. Frances White) by inheritance; Virginia Purviance Bonsal (Mrs. Miles White, Jr.).
Lessons Learned: American Schoolgirl Embroidery

Textiles American Needlework
Betty Ring, "Girlhood Embroidery: American Samplers & Pictorial Needlework, 1650-1850", New York: Alfred A. Knopf, 1993, Vol. I, p. 184, fig. 210.
Ring, Betty. 'Girlhood Embroidery: American Samplers and Pictorial Needlework, 1650-1850.' New York: Alfred A. Knopf, 1993, Vol. I, pp. 184, fig. 210.

Ring, Betty. "Let Virtue Be a Guide to Thee: Needlework in the Education of Rhode Island Women, 1730-1830." Providence, R.I.: Rhode Island Historical Society, 1983, pp. 152-153; 162-163.

Inscribed: Embroidered at center bottom: 'EA'

Maker

Esther Abbott

1782–1802

American, 1783-1803
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School

Mary Balch’s Academy

2000–2000

Meet Mary →

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