John D. Graham
Still Life with Fruit and Blue and White Pitcher
1925
Scroll
John D. Graham
Still Life with Fruit and Blue and White Pitcher
1925
Physical Qualities
Oil on canvas, Framed: 28 × 21 7/8 × 3 3/4 in. (71.1 × 55.6 × 9.5 cm.)
Sight: 22 1/8 × 16 in. (56.2 × 40.6 cm.)
Credit Line
The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland
Object Number
1950.334
The Baltimore Museum of Art by bequest, 1949; Etta Cone, Baltimore, by bequest, 1929; possibly Claribel Cone, Baltimore, by purchase, 1928(?); the artist, Baltimore
Matisse, Picasso, and the School of Paris
Still Life: Works from The Baltimore Museum of Art
Link Benesch Reinstall (Spring 2008)
AMW Reinstallation 2014
American Wing Rotations 2020
Cone Wing Rotations 2021
American Wing Rotations 2021
Cone Wing Rotations 2022
Cone Wing Rotations 2023
Cone Wing Rotations 2024
Cone Wing Rotations 2025
Brenda Richardson, "Dr. Claribel & Miss Etta: The Cone Collection of the Baltimore Museum of Art," Baltimore: The Baltimore Museum of Art, 1985, pp. 150, 151,179, 200, p. 151, ill.
Nobuyuki Senzoku and Akira Tomita, "Matisse and Modern Masters from the Cone Collection of the Baltimore Museum of Art," Tokyo: Brain Trust Inc., 1996, p. 39, fig. 24, ill.
Eric M. Zafran, "Impressionism to Surrealism from the Baltimore Museum of Art," Hartford: Wadsworth Atheneum, 2002, pp. 8, 15, no. 11, ill.
Longwell, Alicia G. "John Graham: Maverick Modernist." Water Mill, NY: Parrish Art Museum, 2017. p. 30, plate 6, ill.
Grace Glueck, "An Artist Finds New Favor," "The New York Times," November 11, 1984, p. 118.
Lisa Bush Hankin, "John Graham Renaissance & Revolution," Richard York Gallery, May 31-July 31, 2002.
Lisa Bush Hankin, "John Graham Renaissance & Revolution," Richard York Gallery, May 31-July 31, 2002.
Inscribed: Recto: Top left in black paint, "Graham 26" Verso: The painting has been wax lined and there are no visible inscriptions on the verso. Frame Inscriptions Verso: Left rail in black grease pencil, "GRAHAM" This inscription is normally covered by the frame's build up.
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