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Still Life with Peaches and White Grapes in Porcelain Dish

Raphaelle Peale

Still Life with Peaches and White Grapes in Porcelain Dish

1814-1826

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Raphaelle Peale

Still Life with Peaches and White Grapes in Porcelain Dish

1814-1826

Physical Qualities Oil on wood panel, Framed: 17 3/4 x 23 x 2 7/8 in. (45.1 x 58.4 x 7.3 cm) Sight: 12 1/2 x 18 1/8 in. (31.8 x 46 cm)
Credit Line Gift of Mrs. Francis White, from the Collection of Mrs. Miles White, Jr.
Object Number 1973.76.275
Compositions of foods, often piled on a piece of porcelain, tempt both eye and appetite. Here, a seeming tumble of fruits actually creates a formal pyramid, defined by the grape cluster at left and a peach tree twig at right. While still life was Raphaelle Peale’s preferred subject matter, such arrangements ranked dead last in the academic hierarchy of painting types. History painting was deemed the most important and worthwhile use of an artist’s talents and training. Next came portraiture, the bread-and-butter of many an artist’s career, followed by genre (scenes from daily life), landscape, and animal painting. However, by the middle of the 19th century, landscape rather than history painting dominated American art. Nowadays, Peale’s elegant still lifes stand among the most beloved of all Federal-era pictures.
Mrs. Miles White, Jr., Baltimore; to her daughter-in-law, Mrs. Francis White, Baltimore
William H. Gerdts, Philbrook Art Center, Tusla, with University of Missouri Press, "Painters of the Humble Truth : Masterpieces of American Still Life, 1801-1939," Sept. 27-Nov. 8, 1981, ill. p. 56, fig. 3.6 (circulated to Oakland, Baltimore, and New York)
Sona K. Johnston, "American Painting 1750-1900 from the Collection of The Baltimore Museum of Art," 1983, p. 119.

Inscribed: l.r., Raphaelle Peale; etched in small letters on reverse u.r., W.D. R.P.[...]K

Artist

Raphaelle Peale

1773–1824

American, 1774-1825
Meet Raphaelle Peale

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