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Study for “La Chevelure”

Henri Matisse and Henri Matisse, Presentation Maquette, Poésies de Stéphane Mallarmé

Study for “La Chevelure”

1930-1931

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Study for “La Chevelure”

1930-1931

Physical Qualities Graphite with erasing on paper (recto); graphite (verso), Sheet: 330 x 259 mm. (13 x 10 3/16 in.) Mat 20" x 16"
Credit Line The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland
Object Number 1950.12.739
This drawing of a woman’s head seen laying down and crowned by an exuberance of flowing locks is one of the maquette’s most lush and instructive images. On the front of the sheet, Matisse has carefully depicted each individual strand of hair with light pencil strokes. On the reverse, we see only a schematic tracing of its curls. Matisse typically used these tracings to refine his design and practice “the art of eliminating” in order to minimize unnecessary detail in the finished version.
The Baltimore Museum of Art by bequest of Etta Cone, 1949; Etta Cone, Baltimore, MD by purchase, 1931-33; the artist
Henri Matisse et Pierre Bonnard "Viva la peinture!"

A Modern Influence: Henri Matisse, Etta Cone, and Baltimore
Cozzi, Leslie and Katherine Rothkopf (eds). "A Modern Influence: Henri Matisse, Etta Cone, and Baltimore." Baltimore: The Baltimore Museum of Art, 2021. ill.
Bois, Yve-Alain, ed. Matisse in the Barnes Foundation, vol. 1. Philadelphia: Barnes Foundation, 2015, p. 128, fig. 42.
"The Baltimore Museum of Art: Celebrating a Museum," The Baltimore Museum of Art, 2014, p. 213-14.
Sale cat, Sotheby's, London, 1 April 2008, lot 32 (comparative illustration).
Sarda, Marie-Anne. Matisse et Mallarmé. Vulaines-sur-Seine: Musée départemental Stéphane Mallarmé, 2002, page 131, fig. 52 (published as “La Chevelure, ètude pour Poésies de Stéphane Mallarmé”).
Néret, Gilles. Henri Matisse. Köln; New York: Taschen, [1999], page 158 (published as “Hair, Study for the Book of Poems by Stéphane Mallarmé”).
Néret, Gilles. Matisse. [Place of publication not identified]: Konecky & Konecky, 1993, p. 154, no. 237 (published as “Swan”).
Monod-Fontaine, Isabelle. Matisse: le rêve, ou, les belles endormies. Paris: Adam Biro, 1989, p. 44.
Schneider, Pierre. Matisse. New York: Rizzoli, 1984, page 579 (published as “‘La Chevelure,’ study for the ‘Poésies de Stéphane Mallarmé’”).
Musée National d'Art Moderne. Henri Matisse: Dessins et Sculpture: Musée National d'Art Moderne, 29 Mai - 7 Septembre 1975. [Paris]: Centre National d'Art et de Culture Georges Pompidou, 1975, ill. page 127, plate 85.
Cone, Etta. The Cone Collection of Baltimore, Maryland: Catalogue of Paintings, Drawings, Sculpture of the Nineteenth and Twentieth Centuries. [Baltimore, MD]: [Etta Cone], 1934, plate 92.

Inscribed: upper right in graphite: "Henri Matisse"

Markings: Chopmark: MALLARME ET MATISSE

Artist

Henri Matisse

1868–1953

French, 1869-1954
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Part of

Henri Matisse, Presentation Maquette, Poésies de Stéphane Mallarmé

2000–2000

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And a Large Bird, Descending from the Sky, Hurled Itself Against the Topmost Point of Her Hair (Et un grand oiseau qui descend du ciel, vient s'abattre sur le sommet de sa chevelure)
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Lagrange. Républicain de l'avant-veille. - La calomnie la plus effrénée n'osera jamais l'accuser de s'être engraissé des sueurs du peuple. Vous trouverez sans doute la chevelure de Lagrange quelque peu en désordre, mais c'est l'effet du vent de la montagne!
1848