Eugène Delacroix and Cadart & Luquet
Study of a Woman Viewed from Behind
1832-1864
Scroll
Physical Qualities
Etching, engraving, drypoint, and bitten tone, Sheet: 321 × 419 mm. (12 5/8 × 16 1/2 in.)
Plate: 112 × 162 mm. (4 7/16 × 6 3/8 in.)
Credit Line
The George A. Lucas Collection, purchased with funds from the State of Maryland, Laurence and Stella Bendann Fund, and contributions from individuals, foundations, and corporations throughout the Baltimore community
Object Number
1996.48.4956
This print bears the edition number stamp "28." For more information about the size of the edition, see Loys Delteil, Delacroix, the graphic work: a catalogue raisonné, translated and revised by Susan Strauber (San Francisco: Alan Wofsy, 1997), pp. 32-33, note 36.
The Baltimore Museum of Art by purchase, 1996; The Maryland Institute College of Art,
through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris
through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris
Jay Fisher, BMA, "Three Master Printmakers from the Nineteenth Century: Eugene Delacroix, Edouard Manet, Mary Cassatt," March 17- May 30, 1993.
BMA, "After Rembrandt: The Influence of Dutch Art on Nineteenth- Century French Printmaking," 12 February - 13 April 1997.
Andaleeb Banta and Joanna Karlgaard, The Baltimore Museum of Art, “The Rembrandt Effect,” December 12, 2021 - April 10, 2022.
BMA, "After Rembrandt: The Influence of Dutch Art on Nineteenth- Century French Printmaking," 12 February - 13 April 1997.
Andaleeb Banta and Joanna Karlgaard, The Baltimore Museum of Art, “The Rembrandt Effect,” December 12, 2021 - April 10, 2022.
Inscribed: Signed in plate: upper left "Eug. D"
Markings: Watermark: Aqua Fortistes Stamp: upper right "28" Collector's stamp: verso "M.I. / LUCAS / COLLECTION" (Lugt 1695c)
