Skip to main content
Sweetmeat Stand - Image 1
Sweetmeat Stand - Image 2
Sweetmeat Stand - Image 3
Sweetmeat Stand - Image 4
Sweetmeat Stand - Image 5
Sweetmeat Stand - Image 6
Sweetmeat Stand - Image 7
Sweetmeat Stand - Image 8
Sweetmeat Stand - Image 9
Sweetmeat Stand - Image 10
Sweetmeat Stand - Image 11
Sweetmeat Stand - Image 12
Sweetmeat Stand - Image 13
Sweetmeat Stand - Image 14
Sweetmeat Stand - Image 15
Sweetmeat Stand - Image 16
Sweetmeat Stand - Image 17
Sweetmeat Stand - Image 18
Sweetmeat Stand - Image 19
Sweetmeat Stand - Image 20
Sweetmeat Stand - Image 21

Worcester Porcelain Company, First (Dr. Wall) Period (later Royal Worcester Spode Limited)

Sweetmeat Stand

1769

Thumbnail 1
Thumbnail 2
Thumbnail 3
Thumbnail 4
Thumbnail 5
Thumbnail 6
Thumbnail 7
Thumbnail 8
Thumbnail 9
Thumbnail 10
Thumbnail 11
Thumbnail 12
Thumbnail 13
Thumbnail 14
Thumbnail 15
Thumbnail 16
Thumbnail 17
Thumbnail 18
Thumbnail 19
Thumbnail 20
Thumbnail 21
Scroll

Worcester Porcelain Company, First (Dr. Wall) Period (later Royal Worcester Spode Limited)

Sweetmeat Stand

1769

Physical Qualities Soft-paste porcelain, transfer-printed decoration, 5 1/8 × 7 3/4 in. (13 × 19.7 cm.)
Credit Line Mr. and Mrs. Kenneth S. Battye Fund
Object Number 1977.85
When firing this sculpture, Erickson allowed the tri-color sweetmeat dish to combust in the kiln, falling limp. The brown saggar cylinder—a container to protect the delicate porcelain from the fire, smoke, and kiln debris—is blown out as if by a bomb or bullet holes. Red, White, & Blue Pickle is an analogy for the failings of the United States Declaration of Independence. The holes and fissures of the object are metaphors for broken promises of the Declaration to provide freedom and life, liberty, and the pursuit of happiness to all United States residents without regard to race, gender, age, ability, and immigration status. Sears of shells on the saggar lid reference the geopolitics of conflict and fossil fuel.
Recasting Colonialism: Michelle Erickson Ceramics

Manufacturer

Worcester Porcelain Company, First (Dr. Wall) Period (later Royal Worcester Spode Limited)

1750–2000

1751-present
Meet Worcester →

Explore the Collection Further

Worcester Porcelain Company, First (Dr. Wall) Period (later Royal Worcester Spode Limited)
Covered Teapot
1759–1769
Unidentified
Covered Sweetmeat Dish with Stand
1800–1899
Worcester Porcelain Company, First (Dr. Wall) Period (later Royal Worcester Spode Limited)
Covered Tea Caddy
1764
Bow Porcelain Factory and Unidentified
Sweetmeat Stand
1759
Worcester Porcelain Company, First (Dr. Wall) Period (later Royal Worcester Spode Limited)
Saucer
1764
Schofield Co., Inc.
Kettle on Kettle Stand
1907
Worcester Porcelain Company, First (Dr. Wall) Period (later Royal Worcester Spode Limited)
Teacup
1764
Judy Kensley McKie
Plant Stand with Two Birds
1980
Worcester Porcelain Company, First (Dr. Wall) Period (later Royal Worcester Spode Limited)
Dish
1764
Sophia Jane Maria Bonnell and Mary Anne Harvey Bonnell
Paper Filigree Cabinet on Stand with Hairwork and Watercolor Panels
1783–1793
Worcester Porcelain Company, First (Dr. Wall) Period (later Royal Worcester Spode Limited)
Covered Teapot
1759–1774
Ewe
Standing Figure (Venavi)
1933–1966