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Max Pechstein

The Circus

1919

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Max Pechstein

The Circus

1919

Physical Qualities Oil on canvas, 55 x 39 in. (139.7 x 99.1 cm.)
Credit Line Gift of Mrs. Ralph Booth
Object Number 1947.318
With strong diagonals, sharp angular forms, exaggerated poses, and vibrant color, Max Pechstein captured the electrifying excitement of the moment in this powerful depiction of a circus. This work places viewers in the heart of the ring, closer even than the rows of spectators whose eyes are fixed on the daring acrobats and horses before them. Alongside fellow German artists and collaborators Ernst Ludwig Kirchner (1880–1938) and Erich Heckel (1883–1970), Pechstein explored the energy and expressive movements of skilled acrobats in his circus compositions during the early 1900s. Initially, he portrayed acrobats in drawings and prints, but later turned to large-scale paintings of urban circuses, such as this example.

Publication References

"BMA News," December 1947, p. 1.
"BMA News," June 1957, p. 8.
Columbus Gallery of Fine Arts, "German Expressionism," published in conjunction with exhibition of the same name presented, February 9-March 9, 1961, no. 73, p. 16.
'Winter Highlights,' "BMA Today," Winter 2008-2009, pp. 2-3, 8, ill. (detail) p. 3 and p. 8.
"BMA Today," Spring 2009, ill., cover.
Aya Soika, "Max Pechstein: Das Werkverzeichnis Der Olgemalde: Band 1 n=1905 - 1918," Hirmer:2011, ill., 221.
The Baltimore Museum of Art by gift, 1947; Mary Booth; Ralph and Mary Booth, Grosse Pointe, Michigan
A Circus Family: Picasso to Léger

German Expressionism: A Revolutionary Spirit

Cone Wing Rotations 2024

Inscribed: Recto: LL in paint, "HM Pechstein;" below signature in pencil, "1918" Verso: Oil painting of man drinking from a coconut in a tropical scene. Pasted on the stretcher is a label from an unspecified "Kunsthaus, Munchen."

Artist

Max Pechstein

German, 1881-1955
Meet Max →