Max Pechstein
The Circus
1919
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Max Pechstein
The Circus
1919
Physical Qualities
Oil on canvas, 55 x 39 in. (139.7 x 99.1 cm.)
Credit Line
Gift of Mrs. Ralph Booth
Object Number
1947.318
With strong diagonals, sharp angular forms, exaggerated poses,
and vibrant color, Max Pechstein captured the electrifying excitement
of the moment in this powerful depiction of a circus. This work
places viewers in the heart of the ring, closer even than the rows
of spectators whose eyes are fixed on the daring acrobats and horses
before them. Alongside fellow German artists and collaborators
Ernst Ludwig Kirchner (1880–1938) and Erich Heckel (1883–1970),
Pechstein explored the energy and expressive movements of skilled
acrobats in his circus compositions during the early 1900s. Initially,
he portrayed acrobats in drawings and prints, but later turned to
large-scale paintings of urban circuses, such as this example.
Publication References
"BMA News," December 1947, p. 1.
"BMA News," June 1957, p. 8.
Columbus Gallery of Fine Arts, "German Expressionism," published in conjunction with exhibition of the same name presented, February 9-March 9, 1961, no. 73, p. 16.
'Winter Highlights,' "BMA Today," Winter 2008-2009, pp. 2-3, 8, ill. (detail) p. 3 and p. 8.
"BMA Today," Spring 2009, ill., cover.
Aya Soika, "Max Pechstein: Das Werkverzeichnis Der Olgemalde: Band 1 n=1905 - 1918," Hirmer:2011, ill., 221.
The Baltimore Museum of Art by gift, 1947; Mary Booth; Ralph and Mary Booth, Grosse Pointe, Michigan
A Circus Family: Picasso to Léger
German Expressionism: A Revolutionary Spirit
Cone Wing Rotations 2024
Inscribed: Recto: LL in paint, "HM Pechstein;" below signature in pencil, "1918" Verso: Oil painting of man drinking from a coconut in a tropical scene. Pasted on the stretcher is a label from an unspecified "Kunsthaus, Munchen."