Albrecht Altdorfer
The Flagellation of Christ
1512
Scroll
Albrecht Altdorfer
The Flagellation of Christ
1512
Physical Qualities
Woodcut, Sheet: 72 x 48 mm. (2 13/16 x 1 7/8 in.)
Credit Line
Blanche Adler Memorial Fund
Object Number
2003.203.21
The Baltimore Museum of Art by purchase, 2003; Hill-Stone, Inc. New York.
Hollstein, F.W.H., et al. The New Hollstein German Engravings, Etchings and Woodcuts, 1400-1700, Albrecht and Erhard Altdorfer, c.1997, pp. 98-112, W.1-40.
Geisberg, Max. Der deutsche Einblatt-Holzschnitt in der ersten Hälfte des 16. Jahrhunderts (Munich: Hugo Schmidt Verlag, 1923-1931): no. 10-44.
Hollstein, F. W. H., et al. German engravings, etchings and woodcuts ca. 1400-1700 (Amsterdam: Menno Hertzberger, 1954- ongoing 2000): vol. I, pp. 146-269, #1-40.
Winzinger, Franz. Albrecht Altdorfer, Graphik: Holzschnitte, Kupferstiche, Radierungen (Munich: R. Piper und Co., 1963). [MBMu].
Bartsch, Adam, et al. The Illustrated Bartsch (New York: Abaris Books, 1978 - ongoing 2001): vol. 14, pp. 9-170 [MH-FA], #1-40.
Mielke, Ursula Kaufmann (compiler). "Albrecht and Erhard Altdorfer" in Hollstein, F. W. H. The new Hollstein: German engravings, etchings and woodcuts, 1400-1700 (Rotterdam: Sound & Vision Interactive, 1997): vol. [2], pp. 13-186.
Geisberg, Max. Der deutsche Einblatt-Holzschnitt in der ersten Hälfte des 16. Jahrhunderts (Munich: Hugo Schmidt Verlag, 1923-1931): no. 10-44.
Hollstein, F. W. H., et al. German engravings, etchings and woodcuts ca. 1400-1700 (Amsterdam: Menno Hertzberger, 1954- ongoing 2000): vol. I, pp. 146-269, #1-40.
Winzinger, Franz. Albrecht Altdorfer, Graphik: Holzschnitte, Kupferstiche, Radierungen (Munich: R. Piper und Co., 1963). [MBMu].
Bartsch, Adam, et al. The Illustrated Bartsch (New York: Abaris Books, 1978 - ongoing 2001): vol. 14, pp. 9-170 [MH-FA], #1-40.
Mielke, Ursula Kaufmann (compiler). "Albrecht and Erhard Altdorfer" in Hollstein, F. W. H. The new Hollstein: German engravings, etchings and woodcuts, 1400-1700 (Rotterdam: Sound & Vision Interactive, 1997): vol. [2], pp. 13-186.
Inscribed: RECTO: LRQ: [artist monogram] "AA"
