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Public Domain

Miné Okubo and WPA/Federal Art Project, San Francisco

The Musician

1937-1940

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The Musician

1937-1940

Physical Qualities Color screenprint, Sheet: 507 x 611 mm. (19 15/16 x 24 1/16 in.) Image: 443 x 503 mm. (17 7/16 x 19 13/16 in.)
Credit Line The United States General Services Administration, formerly Federal Works Agency, Works Progress Administration, on extended loan to the Baltimore Museum of Art.
Object Number L.1943.9.413
Bright planes of color swim on the surface of this composition, coalescing into a female figure playing an instrument. Miné Okubo used her time in the WPA to experiment with color screenprinting—a process in which ink is dragged across a stenciled screen using a squeegee—which WPA artists taught one another through pamphlets and demonstrations starting in 1938. Okubo’s work for the Federal Art Project ended abruptly in 1942, when she was imprisoned in Tanforan Detention Center in California, followed by Topaz internment camp in Utah. In 1941, Imperial Japan bombed an American naval base in Pearl Harbor, Hawaiʻi. After the attack, the United States government forcibly relocated more than 110,000 Japanese Americans—both U.S. citizens by birth and immigrants—to government camps and facilities, deeming them a threat to national security based solely on their Japanese heritage.
Virginia Anderson and Robin Owen Joyce, The Baltimore Museum of Art, "Art/Work: Women Printmakers of the WPA," November 5, 2023 - June 30, 2024.

Inscribed: RECTO: LL margin (pencil): 'The Musician'; LR margin (pencil): 'Mine' Okubo'. VERSO: TL (pencil): '#1696 - gr. I'; URE (pencil): 'Okubo, M.'; C: BMA stamp.

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