Charles Émile Jacque
The Planet Jupiter
1880
Scroll
Charles Émile Jacque
The Planet Jupiter
1880
Physical Qualities
Oil on wood panel, 13-3/4 x 10-9/16 in. (34.9 x 26.8 cm.); Frame: 19-11/16 x 16-7/16 x 2-1/2 in. (50 x 41.8 x 6.4 cm.)
Credit Line
The George A. Lucas Collection, purchased with funds from the State of Maryland, Laurence and Stella Bendann Fund, and contributions from individuals, foundations, and corporations throughout the Baltimore community
Object Number
1996.45.146
Although Jacque is primarily known as one of the most
significant printmakers associated with the Barbizon school, he
also produced several paintings of sublime beauty. This charming
intimate work contains all of the elements of interest to the Barbizon
circle of artists: A nocturnal landscape is imbued with the mystery
of a celestial body whose light casts its reflection on water,
illuminating the mysterious, meditative, and spiritual aspects
of nature untainted by man.
Recognized both as a painter and a printmaker, Jacque devoted
much of his early career to providing illustrations for various books
and journals. In 1849, he joined Jean-François Millet at Barbizon,
recording views of the village and its environs. Although he continued
to maintain a studio in his native Paris, he increasingly favored
bucolic subjects, in particular, barnyard scenes and landscapes
with grazing cattle.
Lucas acquired prints by the artist as well as paintings. This haunting
image records the planet Jupiter shining uncommonly bright in the
night sky, an astral event which occurred in 1881.
Why have Charles Jacque’s works such a powerful charm? It is because
they always show us things or persons as they are in nature; because he
studies them in the course of their usual life and avocations; and because
this sincerity carries us without effort to the scene he chooses to represent.
–René Ménard, The Portfolio, September, 1875
The Baltimore Museum of Art by purchase, 1996; The Maryland Institute College of Art,
through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris
through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris
The Maryland Institute, Baltimore, "Exhibition of the George A. Lucas Art Collection", 1911.
The Baltimore Museum of Art, "The George A. Lucas Collection of the Maryland Institute", October 12-November 21, 1965.
The Baltimore Museum of Art, "Nineteenth Century European Painting", June 24-September 7, 1969.
The Baltimore Museum of Art, "The Lucas Collection", June 27-Fall 1974.
The Baltimore Museum of Art, "Nature Revealed: Landscapes and Still Lifes from the George A. Lucas Collection", circulated to Government House, Annapolis, November 15, 2000-January 23, 2001.
Sona K. Johnson, The Baltimore Museum of Art, Baltimore, "Barbizon and Impressionist Works from The Baltimore Museum of Art," circulated by Brain Trust to Yamanashi Prefectural Museum of Art, January 11-February 16, 2003; Sakura City Museum of Art, Chiba, February 27-March 30, 2003; Okazaki City Museum, April 5-May 18, 2003; Suntory Museum, Osaka, May 24-July 6, 2003; Miyazaki Prefectural Museum, July 12-August 17, 2003.
The Walters Art Museum, Baltimore, "The Road to Impressionism: Landscapes from Corot to Monet", October 3, 2004-January 8, 2005.
James Smalls, The Baltimore Museum of Art, "Henry Ossawa Tanner and the Lure of Paris", December 7, 2005 - May 28, 2005.
Sona Johnston, The Baltimore Museum of Art, "A View Toward Paris: The Lucas Collection of 19th-Century French Art", October 1-December 31, 2006.
The Baltimore Museum of Art, "The George A. Lucas Collection of the Maryland Institute", October 12-November 21, 1965.
The Baltimore Museum of Art, "Nineteenth Century European Painting", June 24-September 7, 1969.
The Baltimore Museum of Art, "The Lucas Collection", June 27-Fall 1974.
The Baltimore Museum of Art, "Nature Revealed: Landscapes and Still Lifes from the George A. Lucas Collection", circulated to Government House, Annapolis, November 15, 2000-January 23, 2001.
Sona K. Johnson, The Baltimore Museum of Art, Baltimore, "Barbizon and Impressionist Works from The Baltimore Museum of Art," circulated by Brain Trust to Yamanashi Prefectural Museum of Art, January 11-February 16, 2003; Sakura City Museum of Art, Chiba, February 27-March 30, 2003; Okazaki City Museum, April 5-May 18, 2003; Suntory Museum, Osaka, May 24-July 6, 2003; Miyazaki Prefectural Museum, July 12-August 17, 2003.
The Walters Art Museum, Baltimore, "The Road to Impressionism: Landscapes from Corot to Monet", October 3, 2004-January 8, 2005.
James Smalls, The Baltimore Museum of Art, "Henry Ossawa Tanner and the Lure of Paris", December 7, 2005 - May 28, 2005.
Sona Johnston, The Baltimore Museum of Art, "A View Toward Paris: The Lucas Collection of 19th-Century French Art", October 1-December 31, 2006.
"Exhibition of the George A. Lucas Art Collection," Baltimore: The Maryland Institute, 1911, cat. #248.
"The George A. Lucas Collection of the Maryland Institute," Baltimore: The Baltimore Museum of Art, 1965, cat. #144.
"The Lucas Collection," Baltimore: The Baltimore Museum of Art, 1974, cat. #144.
Sona K. Johnson et al, "Barbizon and Impressionist Works from The Baltimore Museum of Art," Tokyo: "Barbizon and Impressionist Works from The Baltimore Museum of Art" catalogue committee, 2003, no. 41, p. 74, ill.
Inscribed: VERSO, PAINTING: C, (pencil), 'La planette Jupiter tres...(illeg.)/et trés visible - vérs 1881/on peut retrouve (?) au juste/dans le revues astronomique/Fait â annet lentre Cla...(illeg.)/par/Ch Jacque'; BC, 'BMA cat./1965/#144'