Jules Dupré
The Windmill
1854
Physical Qualities
Oil on canvas, 10 1/8 x 17 in. (25.7 x 43.2 cm.)
Credit Line
The George A. Lucas Collection, purchased with funds from the State of Maryland, Laurence and Stella Bendann Fund, and contributions from individuals, foundations, and corporations throughout the Baltimore community
Object Number
1996.45.92
Essentially self-taught, Dupré began his career by painting landscape studies from nature in the environs of Paris. In 1831, at the age of twenty, he made his début at the Salon and shortly thereafter was invited to London by an admiring collector. During this sojourn, he became acquainted with the English school of landscape painting, and is credited with introducing the work of John Constable and Richard Parkes Bonington to his fellow painters at Barbizon. Towards the middle of his career, Dupré grew increasingly reclusive, exhibiting only occasionally, and ultimately turned to painting marine and coastal views at Cayeux-sur-Mer on the English Channel.
Jules Dupré became almost from his début one of the favored in public opinion; his farms, his cottages, his old oaks on the borders of pools, his plentiful pastures, his mills which profile their silhouettes on a stormy sky, have a simple, truthful side which captivates all the world.
–René Ménard, Gazette des Beaux-Arts, March 1873
The Baltimore Museum of Art by purchase, 1996; The Maryland Institute College of Art,
through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris
through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris
The Maryland Institute, Baltimore, "Exhibition of the George A. Lucas Art Collection", 1911.
The Baltimore Museum of Art, "Modern Painting Isms and How They Grew", January 12-February 11, 1940.
The Baltimore Museum of Art, "The George A. Lucas Collection of the Maryland Institute", October 12-November 21, 1965.
Shepherd Gallery, Associates, New York, NY, "The Forest of Fontainebleau: Refuge of Reality", April 21-June 10, 1972.
Smith College Museum of Art, Northhampton, MA, "Jongkind and the Pre-Impressionists", October 14-December 5, 1976; circulated to Sterling and Francine Clark Art Institute, Williamstown, MA, December 17, 1976-February 13, 1977.
The Walters Art Gallery, Baltimore, "A Baltimorean in Paris: George A. Lucas, Art Agent 1860-1909", January 28-March 11, 1979.
Sona Johnston, The Baltimore Museum of Art, "A View Toward Paris: The Lucas Collection of 19th-Century French Art", October 1-December 31, 2006.
The Baltimore Museum of Art, "Modern Painting Isms and How They Grew", January 12-February 11, 1940.
The Baltimore Museum of Art, "The George A. Lucas Collection of the Maryland Institute", October 12-November 21, 1965.
Shepherd Gallery, Associates, New York, NY, "The Forest of Fontainebleau: Refuge of Reality", April 21-June 10, 1972.
Smith College Museum of Art, Northhampton, MA, "Jongkind and the Pre-Impressionists", October 14-December 5, 1976; circulated to Sterling and Francine Clark Art Institute, Williamstown, MA, December 17, 1976-February 13, 1977.
The Walters Art Gallery, Baltimore, "A Baltimorean in Paris: George A. Lucas, Art Agent 1860-1909", January 28-March 11, 1979.
Sona Johnston, The Baltimore Museum of Art, "A View Toward Paris: The Lucas Collection of 19th-Century French Art", October 1-December 31, 2006.
"Exhibition of the George A. Lucas Art Collection," Baltimore: The Maryland Institute, 1911, cat. #262.
"The George A. Lucas Collection of the Maryland Institute," Baltimore: The Baltimore Museum of Art, 1965, cat. #92.
"The Forest of Fontainebleau: Refuge of Reality," New York: Shepherd Gallery, 1972, cat. #33, illus.
Inscribed: VERSO, FRAME: TC, 'Succession G.A. Lucas...'; UR, 'BMA cat./1965/#92'. VERSO, PAINTING: TL, 'STERLING AND FRANCINE CLARK ART INSTITUTE/'JONGKIND AND THE PRE-IMPRESSIONISTS'/DECEMBER 17, 1976 - FEBRUARY 13, 1977'; UL, 'WAG/Lucas/13.1976.6'