Three Saints
1500
Physical Qualities
Linen ground, silk and metallic embroidery threads, silk velvet borders, 34 1/2 x 26 in. (87.6 x 66 cm.)
Credit Line
Bequest of Blanche Adler
Object Number
1941.141
These embroidered panels portray three saints—Mary Magdalene, St. Peter, and St. Catherine. They were originally part of an orphrey, an ornamental strip that decorated the front and back of a religious vestment, such as a chasuble or dalmatic. While the vestment on which this orphrey was originally displayed was probably made of expensive patterned Italian velvet, the embroidery may have been produced in Spain. The architectural detail supports a Spanish origin while the crisp articulation of the fabric that envelops the figures is in keeping with that found in paintings and tapestries of the Northern Renaissance.
Baltimore Museum of Art by bequest, 1941; Blanche Adler, ex. collection of Saidie A. May.
Exhibited in the Jacob's Wing, Room 6, August 2003 - March 2004.
Exhibited in second rotation in Jacob's Wing, Room 6, October 2004 - August 18, 2006? (Note: Too long, possibly taken down earlier but not marked.)
Exhibited in third rotation in Jacob's Wing, Room 6, June 11, 2007 - March 31, 2008
Katy Rothkoph, The Baltimore Museum of Art, "The Renoir Returns", March 30, 2014 - Sunday, July 20, 2014.
Exhibited in second rotation in Jacob's Wing, Room 6, October 2004 - August 18, 2006? (Note: Too long, possibly taken down earlier but not marked.)
Exhibited in third rotation in Jacob's Wing, Room 6, June 11, 2007 - March 31, 2008
Katy Rothkoph, The Baltimore Museum of Art, "The Renoir Returns", March 30, 2014 - Sunday, July 20, 2014.
Susan Helen Adler, "Saidie May Pioneer of Early 20th Century Collecting", United States: Stonehouse Design, 2008, p. 157.