Carolyn Brady and Julio Juristo, Topaz Press
Topaz Suite XVII
1991
Scroll
Physical Qualities
Monotype (lithographic ink and oil stick), Sheet: 809 x 1012 mm. (31 7/8 x 39 13/16 in.)
Image: 599 x 770 mm. (23 9/16 x 30 5/16 in.)
Credit Line
Gift of William Epton, Baltimore
Object Number
1996.175
From the artist to Nancy Hoffman Gallery, NY
'Realism/Photorealism,' Philbrook Art Center, Tulsa, 10/5-11/23/1980. 'Real, Really Real, Superreal,' San Antonio Museum of Art, 3/1-4/26/1981. Frank H. Goodyear, Jr., 'Perspectives on Contemporary American Realism,' Pennsylvania Academy of the Fine Arts, Philadelphia, 12/17/1982-2/20/1983. Vivien Raynor, 'Carolyn Brady,' The New York Times, 3/8/1985. Charles LeClair, 'Carolyn Brady,' 'Arts Magazine,' March 1985. 'Brady Exhibit at Farnsworth,' 'Camden Herald,' 7-9-1987, p. 13. Alan D. Singer, 'Brady,' 'American Artist,' May 1985. Irene McManus, 'The Ultimate Risk: New Watercolors by Carolyn Brady,' 'Arts Magazine,' Summer 1987, pp. 86-87. 'Realism Today American Drawings from the Rita Rich Collection,' National \ Academy of Design, New York, 12/11/1987-2/22/1988. Nancy G. Heller, 'The Southern Artist Carolyn Brady,' 'Southern Accents, Sept.-Oct. 1989. John Dorsey, 'Presentation Enhances Decorative Art Show,' Baltimore Sun, 11-28-1989, 1C. Nancy Hoffman, 'Carolyn Brady,' 'Artnews,' October 1991, p. 132. 'The Watercolors of Carolyn Brady,' 'Watercolor,' Spring 1992, pp. 118-127. Susan Stiles Dowell, 'Art Imitates Life,' 'Baltimore Magazine,' March 1995, pp. 84-88.
Inscribed: FACE: BL (graphite) 'Topaz Suite XVII'; BR (graphite) 'Carolyn Brady 1992'
Markings: none
