Unidentified
Tray
1719
Physical Qualities
Silver, 15 1/2 × 12 in. (39.4 × 30.5 cm.)
Credit Line
Decorative Arts Acquisitions Endowment established by the Friends of the American Wing
Object Number
2020.9
Silver, hammered, embossed, chased, with burnished punchwork
The Baltimore Museum of Art by purchase, 2020; Javier Eguiguren, Eguiguren Arte de Hispanoamérica, Buenos Aires, Argentina by purchase, 2016; Carlos Alberto Cruz, Santiago, Chile and London, England, by 1997; possibly by descent in Cruz family, 19th century
Plateria del Peru Virrenial 1535-1825, Madrid, 1997, cat 31
The Colonial Andes: Tapestries and Silverwork, 1530-1830. The Metropolitan Museum of Art, New York, 2004, cat 126
The Colonial Andes: Tapestries and Silverwork, 1530-1830. The Metropolitan Museum of Art, New York, 2004, cat 126
Cristina Esteras Martin, "Aproximaciones a la plateria virreinal hispanoamericana," fig 396 in Ramon Gutierrez, Pintura escultura y artes utiles en Iberoamerica: 1500-1824, Ed. Catedra, Madrid, 1995, pp 377-404
Plateria del Peru Virreinal 1535-1825, Groupo BBV/Banco Continental Madrid, 1997, pp 142-143, fig. 31
"Acculturation and Innovation in Peruvian Viceregal Silverwork" in Elena Phipps, Johanna Hecht and Cristina Esteras Martin et al, The Colonial Andes: Tapestries and Silverwork, 1530-1830. The Metropolitan Museum of Art, New York. Yale University Press, New Haven & London, 2004. pp 59-71 & 331-332, cat. 126.
Javier A Eguiguren Molina and Jose M. Eguiguren Molina, Highlights of Hispanic American Silver and Equestrian Silver in the River Plate, published Eguiguren Arte de Hispanoamerica, Buenos Aires, 2017, p32-33, ill p 33.
Sarah R. Cohen, Cynthia Kok, Brittany Luberda, and Sophie Tunney. "Raw Movement: Material Circulation in the Colonial Eighteenth Century." Studies in Eighteenth-Century Culture 52 (2023): 383-420. ill. p. 391.
Markings: Royal crown with spots trimming. Heraldry has thorns crown and five sores
Artist
Unidentified
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