Unidentified
Tray
1719
Physical Qualities
Silver, 15 1/2 × 12 in. (39.4 × 30.5 cm.)
Credit Line
Decorative Arts Acquisitions Endowment established by the Friends of the American Wing
Object Number
2020.9
The Baltimore Museum of Art by purchase, 2020; Javier Eguiguren, Eguiguren Arte de Hispanoamérica, Buenos Aires, Argentina by purchase, 2016; Carlos Alberto Cruz, Santiago, Chile and London, England, by 1997; possibly by descent in Cruz family, 19th century
Plateria del Peru Virrenial 1535-1825, Madrid, 1997, cat 31
The Colonial Andes: Tapestries and Silverwork, 1530-1830. The Metropolitan Museum of Art, New York, 2004, cat 126
The Colonial Andes: Tapestries and Silverwork, 1530-1830. The Metropolitan Museum of Art, New York, 2004, cat 126
Cristina Esteras Martin, "Aproximaciones a la plateria virreinal hispanoamericana," fig 396 in Ramon Gutierrez, Pintura escultura y artes utiles en Iberoamerica: 1500-1824, Ed. Catedra, Madrid, 1995, pp 377-404
Plateria del Peru Virreinal 1535-1825, Groupo BBV/Banco Continental Madrid, 1997, pp 142-143, fig. 31
"Acculturation and Innovation in Peruvian Viceregal Silverwork" in Elena Phipps, Johanna Hecht and Cristina Esteras Martin et al, The Colonial Andes: Tapestries and Silverwork, 1530-1830. The Metropolitan Museum of Art, New York. Yale University Press, New Haven & London, 2004. pp 59-71 & 331-332, cat. 126.
Javier A Eguiguren Molina and Jose M. Eguiguren Molina, Highlights of Hispanic American Silver and Equestrian Silver in the River Plate, published Eguiguren Arte de Hispanoamerica, Buenos Aires, 2017, p32-33, ill p 33.
Sarah R. Cohen, Cynthia Kok, Brittany Luberda, and Sophie Tunney. "Raw Movement: Material Circulation in the Colonial Eighteenth Century." Studies in Eighteenth-Century Culture 52 (2023): 383-420. ill. p. 391.
Markings: Royal crown with spots trimming. Heraldry has thorns crown and five sores