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Tripod Vessel with Acrobats Balanced on Rim - Image 1
Tripod Vessel with Acrobats Balanced on Rim - Image 2
Tripod Vessel with Acrobats Balanced on Rim - Image 3
Tripod Vessel with Acrobats Balanced on Rim - Image 4
Tripod Vessel with Acrobats Balanced on Rim - Image 5
Tripod Vessel with Acrobats Balanced on Rim - Image 6

Tripod Vessel with Acrobats Balanced on Rim

200

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Tripod Vessel with Acrobats Balanced on Rim

200

Physical Qualities Earthenware with unfired pigments over slip, 8 x 5 3/4 x 5 in. (20.3 x 14.6 x 12.7 cm.)
Credit Line Julius Levy Memorial Fund
Object Number 1988.2
Troupes of acrobats, dancers, jugglers, and musicians traveled the countryside at the time this object was made, entertaining wealthy rural estates. The energetic, young contortionists on this vessel seem frozen in action, like the best Han dynasty (206 BCE-220 CE) clay mortuary figures. The girls, identifiable by their hairstyle, might represent immortals making merry at the court of the Daoist Queen Mother of the West (Xiwangmu). As a cult of immortality spread widely during the 2nd century, some tombs contained images of Daoist deities and inhabitants of the afterlife. The Queen Mother of the West and the immortals in her paradise often engaged in human activities and were popular figures in tomb decoration and furnishings of the period.
The Baltimore Museum of Art by purchase, 1987; Andrew Kahane, Ltd., New York (acquired by dealer after 1985)
Asian Reinstallation: Home, Temple, Tomb

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Frances Klapthor, Chinese Ceramics, Baltimore: BMA, 1993, no. 3, p. 13, ill.
Baltimore Museum of Art. The Baltimore Museum of Art: Celebrating a Museum. Baltimore: The Baltimore Museum of Art, 2014.
Kaogu, 1975, vol. 2, pp. 116-123, 134 (for example with 3 figures, from an Eastern Han tomb near Luoyang, Henan province)
Kenneth J. DeWoskin, 'Music and Entertainment Themes in Han Funerary Sculpture,' Orientations, vol 18, no. 4, April 1987, p. 35 (for hairstyles)
Wu Hung, 'Xiwangmu, the Queen Mother of the West,' ibid, pp. 30-31 (for acrobats on bronze money tree)
Art d'Extreme Orient, Paris: Jacques Barrere Art d'extreme Orient, 1987, p.18, no. 47 (for pair now in collection Musee Cernuschi, Paris)

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