The Latin word, Vanitas, seen prominently on a plaque in the center of this engraving, refers to the vanity of all earthly things and formed a distinct category of still life representation mainly in northern Europe during the post Renaissance era. A wide range of objects were included in these compositions, reminding the viewer of the fragility and the transitory nature of earthly life. Here, musical instruments, a box overflowing with coins and jewelry, vessels for drink, and through the window, festive partygoers are all symbolic elements used to convey the somber message. Matham, a painter and printmaker, produced portraits, mythological subjects, and still lifes working mainly in Amsterdam and The Hague.