Georges Rouault
Vase of Flowers
1932
Scroll
Georges Rouault
Vase of Flowers
1932
Physical Qualities
Oil on canvas, 20-1/2 x 16-1/2 in.
Credit Line
Nelson and Juanita Greif Gutman Collection
Object Number
1963.16.14
The heavy black contours and rich, glowing color that characterize Rouault's mature work recall his apprenticeship as a painter and restorer of stained glass. Born in Paris, he studied at the Ecole-des-Beaux-Arts, eventually aligning himself with Henri Matisse and the Fauves. Rouault's subject matter often touched upon the darker side of contemporary moral and social issues but ultimately focused on religious subjects notably scenes from the Passion of Christ.
Still lifes are rare in the artist's production. Typically, as in this work, the floral imagery is contained within a painted frame. Passages of shimmering color denoting blooms offer relief from the somber tones of grey and black which predominate within the composition.
The Baltimore Museum of Art by bequest, 1963; from Mrs. Nelson Gutman; Nelson and Juanita Greif Gutman, Baltimore; purchased from Perls Galleries, New York, 1950
BMA, "Fruit and Flowers", 24 April-8 May 1966; circulated as "Still Life" to Washington County Museum of Fine Arts, Hagerstown, Maryland, 6-27 November 1966.
"Impressionist and Modern Paintings and Sculpture (Part II)", Christie's, New York, May 16, 1990, lot 419, pp. 158-159.
Sona Johnston, BMA organized, "The Art of Still Life from The Baltimore Museum of Art", circulated to The Academy Art Museum, Easton, August 3-October 6, 2007; and Mitchell Gallery, St. John's College, Annapolis, August 25, 2010-October 10, 2010.
"Impressionist and Modern Paintings and Sculpture (Part II)", Christie's, New York, May 16, 1990, lot 419, pp. 158-159.
Sona Johnston, BMA organized, "The Art of Still Life from The Baltimore Museum of Art", circulated to The Academy Art Museum, Easton, August 3-October 6, 2007; and Mitchell Gallery, St. John's College, Annapolis, August 25, 2010-October 10, 2010.
Inscribed: Recto: LR, "G. Rouault"
