Victorian Folding Fan and Box
1839-1859
Scroll
Victorian Folding Fan and Box
1839-1859
Physical Qualities
Paper, lithographed and hand-colored with additional hand-painted decoration (recto and verso); mother-of-pearl, pierced, carved and gilded; metal with rhinestone head; brass, gilded and set with rhinestones; metallic cords and spangles, faux pearls; flocked and gilded paper
, 10 1/4 x 20 in. (26 x 50.8 cm.)
Credit Line
Collection of Elizabeth Hollyday, Baltimore
Object Number
2015.374
The second half of the 19th century proved to be one of the most prolific periods for the use and manufacture of fans. Beginning in 1851 a series of international exhibitions sustained a revival of interest in these objects. Two of the most notable fan makers of the time were Duvelleroy and Alexandre, both of Paris. This typically High Victorian fan exhibits heavily decorated mother-of-pearl sticks and guards, and a smaller leaf with an 18th century pastiche as the central decoration. After the middle of the 19th century, popular taste generally turned to fans composed of textiles, embroideries, laces, or feathers.
The Baltimore Museum of Art by gift, 2015; Ellen Bruce Gibbs; The Baltimore Museum of Art on loan 1933-2015 Elizabeth Hollyday possibly from the estate of Margaret Carroll, wife of Charles Carroll or descendant.
Extended Loans IN
Alexander, Helene. "4. 1851-1900." In Fans. London: B.T. Batsford, 1984. Fig. 42.
Bennett, Anna G.. Unfolding Beauty: The Art of the Fan. The collection of Esther Oldham and the Museum of Fine Arts, Boston. New York: Thames and Hudson, 1988. 192. Cat. 76.
Armstrong, Nancy J.. The Book of Fans. London: Colour Library International, 1978, p. 84, p. 76.
Bennett, Anna G.. Unfolding Beauty: The Art of the Fan. The collection of Esther Oldham and the Museum of Fine Arts, Boston. New York: Thames and Hudson, 1988. 192. Cat. 76.
Armstrong, Nancy J.. The Book of Fans. London: Colour Library International, 1978, p. 84, p. 76.
