Henri Rousseau
View of the Quai d’Ivry near the Port à l’Anglais, Seine (Family Fishing)
1899
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Henri Rousseau
View of the Quai d’Ivry near the Port à l’Anglais, Seine (Family Fishing)
1899
Physical Qualities
Oil on canvas, Unframed: 9 1/2 × 13 in. (24.1 × 33 cm.)
Framed: 16 3/4 × 20 1/4 × 2 in. (42.5 × 51.4 × 5.1 cm.)
Credit Line
The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland
Object Number
1950.294
The Baltimore Museum of Art by bequest, 1949; Etta Cone, Baltimore, by purchase, August 5, 1936; Galerie Rosengart, Lucerne
Matisse, Picasso, and the School of Paris
Jungles in Paris: The Paintings of Henri Rousseau
Henri Rousseau, "Petit Douanier" of Modernism
Cone Refresh
Cone Wing Rotations 2023
Henri Rousseau in the origins of the Avantgarde
Cone Wing Rotations 2024
Cone Wing Rotations 2025
Henri Rousseau and the Crisis of the Western Artistic Canon
Jane Watson Crane, "Baltimore Shows French Art," "The Washington Post," August 17, 1947, p. L5.
E.M. Benson and Gertrude Rosenthal, "Themes and Variations in Painting and Sculpture," Baltimore: The Baltimore Museum of Art, 1948, p. 68, no. 115. (Published as "The Fisherman")
George Boas, Adelyn D. Breeskin, and J.G. D'Arcy Paul, "Selections from the Cone Collection," "News of The Baltimore Museum of Art," October 1949, vol. 13, no. 1, p. 22. (Published as "The Fisherman")
George Boas, Adelyn Breeskin, and Gertrude Rosenthal, "Cone Collection: A Handbook with a Catalogue of Paintings and Sculpture," Baltimore: The Baltimore Museum of Art, 1955, p. 40, no. 113. (Published as "The Fisherman")
"News of The Baltimore Museum of Art," Summer-Autumn 1963, vols. XXVI-XXVII, nos. 4 and 1, p. 7, ill. (Published as "The Fisherman")
George Boas, Adelyn Breeskin, and Gertrude Rosenthal, "Paintings, Sculpture, and Drawings in the Cone Collection," Baltimore: The Baltimore Museum of Art, 1967, p. 69, no. 107. (Published as "The Fishermen")
The Baltimore Museum of Art, "Cone Collection from The Baltimore Museum of Art: A Benefit Exhibition at Wildenstein," Baltimore: The Baltimore Museum of Art, 1974, no. 51. (Published as "The Fisherman")
Brenda Richardson, "Dr. Claribel & Miss Etta: The Cone Collection of The Baltimore Museum of Art," Baltimore: The Baltimore Museum of Art, 1985, p. 189.
Nobuyuki Senzoku and Akira Tomita, "Matisse and Modern Masters from the Cone Collection of The Baltimore Museum of Art," Tokyo: Brain Trust Inc., 1996, p. 33, fig. 11, ill.
Sona K. Johnston and William R. Johnston, "The Triumph of French Painting: Masterpieces from Ingres to Matisse," London: Scala Publishers, 2000, pp. 32, 138-139, 156, no. 50, ill.
Charles Darwent, "Double Vision," "The Independent," June 17, 2001, p. 21.
Eric M. Zafran, "Impressionism to Surrealism from The Baltimore Museum of Art," Hartford: Wadsworth Atheneum, 2002, pp. 8, 22, no. 47.
Frances Morris and Christopher Green, eds., "Henri Rousseau: Jungles, in Paris," London: Tate Publishing, 2005, pp. 86, 126, 127, 130, 222, 230, cat. no. 30, ill.
Inscribed: Verso: Ink on paper label, "Vue du Quai/d'Ivory près le port/à L'ANglais. (Seine)/Paris, le 6 Septembre/1909./Henri Rousseau" "XXXVIII/I Galerie Thannhauser, Luzern"
