In Joseph Vogel’s Vision, a lone figure surveys unfolding catastrophes—the fascist victory in Spain and the looming threat of a global war. Jewish soldiers like Vogel made up over a quarter of the International Brigades, the antifascist volunteers coordinated by the Communist International organization. Some recognized an opportunity to fight the spread of antisemitism, or the prejudice against or hatred of Jewish people, by confronting fascism in Spain. Florence Kent’s Jewish Refugees portrays the consequences of the continued spread of fascism across Europe. Here, a multi-generational group of Jewish people holds one another while tents strain against the punishing wind. Created only months before the start of World War II, Kent’s print is not optimistic: in the lower left, a fallen book bears the Yiddish word שלוס (shlus) on its cover, meaning “the end.”