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Waiting Room

Isabelle Greenberger and WPA/Federal Art Project, New York City

Waiting Room

1934-1938

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Waiting Room

1934-1938

Physical Qualities Crayon lithograph with scraping, Sheet: 292 x 407 mm. (11 1/2 x 16 in.) Image: 250 x 305 mm. (9 13/16 x 12 in.)
Credit Line The United States General Services Administration, formerly Federal Works Agency, Works Progress Administration, on extended loan to the Baltimore Museum of Art.
Object Number L.1943.9.517
Each of these three scenes includes a woman holding a handbag. Whether shopping in a crowded department store sale, waiting for an appointment in a doctor’s office, or eating at a lunch counter, urban women in the 1930s were active consumers, reflecting recent gains in employment and independence. The economic crisis of the Great Depression (1929–1939) strongly affected male-dominated industries such as coal mining and manufacturing. Jobs in nursing, teaching, and clerical work— typically held by women and paid less than jobs reserved for men—were somewhat more secure. Advertisers’ pursuit of the new “woman consumer” led magazines and newspapers to transform their content to appeal to women readers, as depicted in both Lunch Counter and Waiting Room.
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Inscribed: RECTO: LL margin (stamped in black ink): 'FEDERAL ART PROJECT / NYC WPA'; LC margin (pencil): ''Waiting Room''; LR margin (pencil): 'Isabelle Greenberger'; BR Corner (pencil): '23'. VERSO: LR (pencil): '#1696 - gr. 2'; C: BMA stamp.

Artist

Isabelle Greenberger

1910–1996

American, 1911 - 1997
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Publisher

WPA/Federal Art Project, New York City

2000–2000

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