Dorothy Wright Liebes
Weaving Sample #32
1947
Scroll
Dorothy Wright Liebes
Weaving Sample #32
1947
Physical Qualities
Chinese ribbon, beads, 7 x 11 in. (17.8 x 27.9 cm.)
Credit Line
Education Department Fund
Object Number
1948.28a
One of fifteen small weaving samples from the studio of Dorothy Liebes. This example consists of variegated stripes using Chinese ribbon in green, magenta, black, and turquoise, and 23 beads.
All samples were originally attached to a white cardboard mount with the number of the design and name of the designer written by hand. (Removed for conservation reasons but saved in Textile Department.)
The Baltimore Museum of Art (Junior Museum), by purchase 1948; from the designer, Dorothy W. Liebes, San Francisco
Peter Hastings Falk (ed.), Who Was Who in American Art, Conn.: Sound View Press, 1985, p. 372, s.v. 'Liebes, Dorothy Wright.'
Lois and William Katzenbach, The Practical Book of American Wallpaper, Philadelphia and N.Y.: J.B. Lippincott Company, 1951, p. 47, p. 139.
Mary Schoeser and Celia Rufey, English and American Textiles from 1790 to the Present, New York: Thames and Hudson, 1989, p. 224, fig. 39.
Sigrid Wortmann Weltge, Women's Work: Textile Art from the Bauhaus, San Francisco: Chronicle Books/London: Thames and Hudson, Ltd., 1993, pp.148-150, figs. 114-118, pp. 188-189, p. 203.
Francis V. O'Connor (ed.), The New Deal Art Projects: An Anthology of Memoirs, Washington, D.C.: Smithsonian Institution Press, 1972, p. 257.
Dorothy B. Gilbert (ed.), Who's Who in American Art, Vol. IV, Washington, D. C.: The American Federation of Arts, 1947, p. 286, s.v. 'Liebes, Dorothy Wright'; New York: R.R. Bowker Company, 1959, p. 336, s.v. 'Liebes, Dorothy'; 1966, p. 288, s.v. 'Liebes, Dorothy'; 1970, p. 259, s.v. 'Liebes, Dorothy.'
Ed Rossbach, 'The Glitter and Glamour of Dorothy Liebes,' American Craft, (December 1982/January 1983), pp. 8-12.
Ed Rossbach, 'Fiber in the Forties,' American Craft, (October/November 1982), pp. 15-19.
Regina Lee Blaszczyk, "Designing Synthetics, Promoting Brands: Dorothy Liebes, DuPont Fibres and Post-war American Interiors, Journal of Design History, Vol. 21, No, 1,
pp. 75-95.
Susan Anderson Hay (ed.), A World of Costume and Textiles: A Handbook of The Collection, Providence, R.I.: Museum of Art, Rhode Island School of Design, 1988, p. 152, cat. #111.
Lois and William Katzenbach, The Practical Book of American Wallpaper, Philadelphia and N.Y.: J.B. Lippincott Company, 1951, p. 47, p. 139.
Mary Schoeser and Celia Rufey, English and American Textiles from 1790 to the Present, New York: Thames and Hudson, 1989, p. 224, fig. 39.
Sigrid Wortmann Weltge, Women's Work: Textile Art from the Bauhaus, San Francisco: Chronicle Books/London: Thames and Hudson, Ltd., 1993, pp.148-150, figs. 114-118, pp. 188-189, p. 203.
Francis V. O'Connor (ed.), The New Deal Art Projects: An Anthology of Memoirs, Washington, D.C.: Smithsonian Institution Press, 1972, p. 257.
Dorothy B. Gilbert (ed.), Who's Who in American Art, Vol. IV, Washington, D. C.: The American Federation of Arts, 1947, p. 286, s.v. 'Liebes, Dorothy Wright'; New York: R.R. Bowker Company, 1959, p. 336, s.v. 'Liebes, Dorothy'; 1966, p. 288, s.v. 'Liebes, Dorothy'; 1970, p. 259, s.v. 'Liebes, Dorothy.'
Ed Rossbach, 'The Glitter and Glamour of Dorothy Liebes,' American Craft, (December 1982/January 1983), pp. 8-12.
Ed Rossbach, 'Fiber in the Forties,' American Craft, (October/November 1982), pp. 15-19.
Regina Lee Blaszczyk, "Designing Synthetics, Promoting Brands: Dorothy Liebes, DuPont Fibres and Post-war American Interiors, Journal of Design History, Vol. 21, No, 1,
pp. 75-95.
Susan Anderson Hay (ed.), A World of Costume and Textiles: A Handbook of The Collection, Providence, R.I.: Museum of Art, Rhode Island School of Design, 1988, p. 152, cat. #111.
Inscribed: Handwritten on the cardboard mount at the lower left of the sample: '#32'; Handwritten on the cardboard mount at the lower right of the sample: 'DOROTHY LIEBES' [Textile removed from original mount due to conservation concerns. Board not acid free. ]
