In this work, Wilmer Wilson IV rephotographed and enlarged a party flier depicting two figures wearing sunglasses. Using staples to adorn the image, which has been affixed to plywood, Wilson’s laborious process is an effort “to cope with the impermanence of things—like bodies, but also the fragments of everyday social life.” The work recalls how party fliers, typically used to promote hip-hop concerts, are stapled to wooden telephone poles across urban spaces. While the staples offer a visually compelling surface, the full image is somewhat difficult to decipher due to the metallic glare, suggesting both invisibility and hypervisibility. Through this act of shielding, Wilson has provided a means of protection to the Black people depicted in the original image.