Skip to main content
Woman with Basket of Fruit

Pierre Bonnard

Woman with Basket of Fruit

1914-1917

Scroll

Pierre Bonnard

Woman with Basket of Fruit

1914-1917

Physical Qualities Oil on canvas, 27 1/4 x 15 3/4 in. (69.2 x 40 cm.)
Credit Line The Cone Collection, Bequest of Frederic W. Cone
Object Number 1950.190
Bonnard painted landscapes and still lifes throughout his career, but it is in his works incorporating figures that he was often the most inventive. Here, a woman resting her head in her hand shares the tabletop with a large basket of fruit. The brown dog in the immediate foreground appears in a number of works from the period and has been identified as a pet belonging to Marthe Bonnard, the artist’s wife. Dramatic compositional elements, such as the high viewpoint and the cropping at the top of the image, are both reminiscent of Japanese wood-block prints.

Publication References

"Tableaux Modernes Aquarelles, Pastels, Dessins par Altmann, André, Balande, Barye, Bellangé, Besnard, Boggs, Bompard, Bonnard, Borgeaud, Boudin, Carrand, Céria, Choultsé, Coubine, Delacroix, Detaille, Fantin-Latour, Favory, Forain, Genin, Gilsoul, Guillaumin, Henner, Jacquet, Jongkind, Kisling, A. Knight, Laprade, Lebourg, Lépine, Marquet, Maufra, Monnier, H. Moret, Orange, Rodin, J. Romani, Roybet, K. X. Roussel, Tassaert, Trouillebert, Van Dongen, Vernay, Utrillo, Washington, Wyld, Ziem, Sculpture par Carpeaux, Tableaux Anciens Oeuvre de B. E. Murillo, Appartenant à Divers Amateurs" Hôtel Drouot, Paris, December 1, 1933, lot. no. 42, p. 17, pl. III, ill. (published as "Femme à Table").
John Rewald, "Pierre Bonnard," New York: The Museum of Modern Art, 1948, p. 141, no. 59.
George Boas, Adelyn D. Breeskin, and J.G. D'Arcy Paul, "Selections from the Cone Collection," "News of the Baltimore Museum of Art," October 1949, vol. 13, no. 1, p. 11.
"$3,000,000 Art Collection," "Look," April 25, 1950, vol. 14, no. 9, p. 111, ill. p. 111.
Lincoln F. Johnson, Jr., "Pierre Bonnard and Impressionism," "News of The Baltimore Museum of Art," December 1953, vol. XVII, No. 2, pp. 3, 4, ill. p. 3.
George Boas, Adelyn Breeskin, and Gertrude Rosenthal, "Cone Collection: A Handbook with a Catalogue of Paintings and Sculpture," Baltimore: The Baltimore Museum of Art, 1955, pp. 26, 27, 28, no. 5, ill.
"Object of the Week," "The Baltimore Sun," March 31, 1957, p. M26, ill.
James Thrall Soby, James Elliott and Monroe Wheeler, "Bonnard and His Environment," New York: The Museum of Modern Art, 1964, pp. 39, 108, no. 24, ill.
Jean and Henry Dauberville, "Bonnard: Catalogue Raisonné de l'Oeuvre Peint, 1920-1939, vol. 3," Paris: Éditions Bernheim-Jeune, 1965, pp. 294, 454, no. 1362, ill. (published as "Femme au Panier de Fruits").
"Annual I, The Museum: Its First Half Century," Baltimore: The Baltimore Museum of Art, 1966, p. 66, ill.
Denys Sutton, "Pierre Bonnard 1867-1947," London: Royal Academy of Arts, 1966, p. 50, no. 124.
George Boas, Adelyn Breeskin, and Gertrude Rosenthal, "Paintings, Sculpture and Drawings in the Cone Collection," Baltimore: The Baltimore Museum of Art, 1967, pp. 18, 21, 65, no. 5, ill.
Toshiaki Minemura, "Bonnard," Tokyo: Shinchosha, 1975, p. 84, ill.
Klaus Kertess, "Painting Naturally: Fairfield Porter & His Influences," Southhampton, NY: The Parrish Art Museum, 1984, ill. (not paginated)
Susan Badder, "Introduction to The Baltimore Museum of Art," "Arts & Activities Magazine," September 1989, vol. 106, no. 1, pp. 34, 35-36, ill. p. 35, cover page.
Nobuyuki Senzoku and Akira Tomita, "Matisse and Modern Masters from the Cone Collection of the Baltimore Museum of Art," Tokyo: Brain Trust Inc., 1996, pp. 136-137,161, no. 71, ill.
Michel Terrasse, "Bonnard: du Dessin au Tableau," Paris: Imprimerie Nationale Éditions, 1996, p. 191, ill. (published as "Femme au panier de fruits").
Hidenori Kurita, Mina Fujishima and Masao Miyazawa, eds., "Pierre Bonnard," Paris and Tokyo: ADAGP & SPDA, 1997, pp. 152-153, 246, no. 62, ill.
Sona K. Johnston and William R. Johnston, "The Triumph of French Painting: Masterpieces from Ingres to Matisse," London: Scala Publishers, 2000, pp. front flap, 140-141, 155, no. 51, ill.
Elizabeth Hutton Turner, "Pierre Bonnard Early and Late," London: Philip Wilson Publishers, 2002, pp. 38, 162-163, 264-265, pl. 74, ill.
Dita Amory, ed., "Pierre Bonnard: The Late Still Lifes and Interiors," New York: The Metropolitan Museum of Art, 2009, pp. x, 5, 7, 20, 100-101, 194, no. 16, ill.
Claudia Kawczynnnnska, ed., "Bark," Issue #53, March/April 2009, p. 66, ill.
The Baltimore Museum of Art by bequest, 1949; Etta Cone, Baltimore, by bequest, 1944; Frederic Cone, Baltimore, by purchase; M. Degryse collection sale, Hôtel Drouot, Paris, 1933; M. Degryse, Paris, by purchase, 1928; L'Art Moderne, Lausanne
Bonnard, Matisse, and the Mediterranean

Pierre Bonnard: Late Still Lifes

Bonnard & Vuillard

Cone Refresh

New Arrivals: Gifts of Art for a New Century

Entre chiens et chats. Le Bestiaire de Bonnard

Cone Wing Rotations 2020

Cone Wing Rotations 2021

Cone Wing Rotations 2022

Cone Wing Rotations 2023

Cone Wing Rotations 2024

Cone Wing Rotations 2025

Inscribed: Recto: Signed, Lower Right in yellow paint, "Bonnard"

Artist

Pierre Bonnard

French, 1867-1947
Meet Pierre →