[Yve-Alain Bois] There's one that I think is even more extraordinary, but probably very rough and very, very hard to like: it’s the last drawing of the show. It's in charcoal, and there's three big charcoal drawings for that Station, and it goes from a very, very thin Christ to something more stylized, which is more geometric, actually. There's no features on the face in the second drawing. And there's third drawing where basically the body of Christ, it's really dead. It's like a big piece of lead. And I think it is an extraordinary drawing. Really one of the most moving that he made. You have seen all the work that Matisse has made in preparation of his mural. And so now that you have all this knowledge of how he got to the mural, maybe you can look at once again at the photograph of a mural that you have seen when you entered the exhibition. When you exit the exhibition at the last room, you just have to make a little turn and look on And then once you have all these images in your mind because you saw the show, you can start again and see all the connections between various images and so forth. See the way it kind of builds up into a kind of global idea of what this pilgrimage was in a way.

[Fr. Josemaría Guzmán-Domínguez] This last moment of the Stations, we are invited to see Jesus laid in the tomb and his body resting there until the day of his resurrection. Let us pray. Almighty and eternal God, on the edge of sadness when all seemed lost, You restored to us the Savior we thought defeated and conquered. Help us, we beg You, so to empty ourselves of self-concern that we might see your hand in every failure and your victory in every defeat. These things we ask in the name of your Son , Jesus Christ, who lives and reigns forever with You in the unity of the Holy Spirit. Amen.