Previously On View
This focus exhibition of nine works explores the relationship between burning fossil fuels—namely, coal—and the emergence of European modernism. Drawing on research conducted by climate scientists and art historians, the exhibition presents a range of paintings and works on paper by Henri Matisse, Claude Monet, James McNeill Whistler, and others to explore the ways that their artistic practices and style emerged, in part, in response to widespread pollution in London and Paris.
Curated by Kevin Tervala, BMA Eddie C. and C. Sylvia Brown Chief Curator
Presented as part of the Turn Again to the Earth environmental initiative.
Although Baltimore’s air is dramatically less polluted than that of 19th- or early 20th-century London and Paris, pollution still leaves its mark.
The BMA’s limestone lions on Art Museum Drive have darkened over time from car exhaust, coal, and other fossil fuel emissions. Last cleaned in 2004, these iconic statues have built up a layer of grime and are ready for some care.
It will cost $15,980 to restore the lions to their original glory. Donate to our conservation fund and support their much-needed cleaning.
Gallery Images
Location
The Jay McKean Fisher Gallery in The Ruth R. Marder Center for Matisse Studies
Select Artworks in this Exhibition
Joseph Pennell
London Over Charing Cross Bridge
1910
Norbert Goeneutte
View of St. Lazare Railway Station, Paris
1887
Claude Monet
Waterloo Bridge, Sunlight Effect with Smoke
1903
Henri Matisse
The Dam at Pont Neuf
1896
James McNeill Whistler
Battersea
c. 1888
James McNeill Whistler
Early Morning
1878
Félix Hilaire Buhot
A Quai in Paris, Winter Morning
1883
Henri Matisse
Painter in the Olive Grove
1922
Henri Matisse
The Maintenon Viaduct
1918
Press Contacts
Anne Brown
Baltimore Museum of Art
Senior Director of Communications
abrown@artbma.org
410-274-9907
Sarah Pedroni
Baltimore Museum of Art
Communications Manager
spedroni@artbma.org
410-428-4668
Alina Sumajin
PAVE Communications
alina@paveconsult.com
646-369-2050