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Amy Sherald: American Sublime
Date
November 2, 2025 - April 5, 2026
Price
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American Sublime is a salve. It’s a call to remember our shared humanity and an insistence on being seen.” —Amy Sherald

The exhibition tells the story of Sherald’s vision and practice through 38 paintings created from 2007 to the present—from her early, rarely seen works to her iconic, larger-than-life portraits of Black Americans in everyday moments, many of which were painted in Baltimore and feature Baltimore-based models.

A Baltimore Homecoming

American Sublime in Baltimore is more than an exhibition—it’s an occasion of civic pride and cultural affirmation. Sherald graduated from the Maryland Institute College of Art, studying under the famed painter Grace Hartigan, and worked in Baltimore during her formative years.

“Baltimore has always been part of my DNA as an artist. Every brushstroke carries a little of its history, its energy, its people, and my time there. To bring this exhibition here is to return that love.”—Amy Sherald

Since the early 2010s, Sherald has employed a grayscale palette to render skin as a radical tool for redirection—a technique that focuses attention on the sitters’ interior lives and the stories within each painting. The BMA acquired Planes, Rockets, and the Spaces in Between in 2018 and has maintained a close relationship with the artist.

In 2016, Sherald made history as the first African American to win the grand prize in the National Portrait Gallery’s Outwin Boochever Portrait Competition for her painting Miss Everything (Unsuppressed Deliverance). That recognition led to the commission of the official portrait of former First Lady Michelle Obama for the National Portrait Gallery’s collection. Both works are featured in American Sublime, among many other highlights, including the cultural touchstone commissioned for Vanity Fair, a portrait of Breonna Taylor; the triptych Ecclesia (The Meeting of Inheritance and Horizons); and the bold painting Trans Forming Liberty.

Artist Who Inspires

Just weeks after her mid-career survey opens at the BMA, Sherald received the Museum’s Artist Who Inspires award at the BMA Ball & After Party. As the Museum honors this groundbreaking artist at its annual gala, the exhibition stands as a testament to Sherald’s impact on contemporary art and her enduring connection to Baltimore. Her work speaks to the richness of the city and the resilience of its people, while affirming the Museum’s dedication to artists with deep local ties.

Watch Amy Sherald in conversation with BMA Director Asma Naeem.

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Archive Gallery Images

Sarah Roberts

SFMOMA’s former Andrew W. Mellon Curator and Head of Painting and Sculpture

"Amy Sherald: American Sublime is organized by the San Francisco Museum of Modern Art (SFMOMA) and curated by Sarah Roberts, SFMOMA’s former Andrew W. Mellon Curator and Head of Painting and Sculpture. The BMA’s presentation is organized by Asma Naeem, Dorothy Wagner Wallis Director, with Cecilia Wichmann, Curator and Department Head of Contemporary Art, with support from Antoinette Roberts, Assistant Curator of Contemporary Art, and Dylan Kaleikaumaka Hill, Meyerhoff-Becker Curatorial Fellow."
Amy Sherald: American Sublime is generously supported by the Mellon Foundation.

Major support for Amy Sherald: American Sublime is provided by the Ford Foundation, the Terra Foundation for American Art, and Hauser & Wirth.

Additional support provided by David Imre and Tom Crusse, Amy Elias and Richard Pearlstone/The Pearlstone Family Fund, Amy and Marc Meadows, Robert Meyerhoff and Rheda Becker, Katie Adams Schaeffer, Joanne Gold and Andrew Stern, Frederick Singley Koontz, Pat Lasher and Richard Jacobs, John Meyerhoff, M.D. and Lenel Srochi Meyerhoff, George Petrocheilos and Diamantis Xylas, and The Aaron Straus and Lillie Straus Foundation.

Image: Installation shots of Amy Sherald: American Sublime

Location: Contemporary Wing

American Sublime is located in the Contemporary Wing of the Baltimore Museum of Art

Accessibility

Whether you’re visiting in person or exploring from home, you’ll find accessible resources for Amy Sherald: American Sublime designed to make the exhibition welcoming to all.

In the galleries, visitors can pick up printed text or braille guides that include visual descriptions of artworks, large-print labels, and video transcriptions.

A digital version is also available at artbma.org/guides, including verbal and visual descriptions, exhibition labels, and video transcripts for select artworks.

Explore the exhibition’s audio guide on the Bloomberg Connects app, featuring insights from the artist, her models, and BMA curators.

Artwork

If You Surrendered to the Air, You Could Ride It
Amy Sherald. If You Surrendered to the Air, You Could Ride It. 2019. Whitney Museum of American Art, New York; purchase, with funds from the Painting and Sculpture Committee, Sascha S. Bauer, Jack Cayre, Nancy Carrington Crown, Nancy Poses, Laura Rapp, and Elizabeth Redleaf. © Amy Sherald. Photo by Joseph Hyde, courtesy the artist and Hauser & Wirth
What’s precious inside of him does not care to be known by the mind in ways that diminish its presence (All American)
Amy Sherald. What's precious inside of him does not care to be known by the mind in ways that diminish its presence (All American). 2017. Private Collection, courtesy Monqiue Meloche Gallery. © Amy Sherald. Photo by Joseph Hyde, courtesy the artist and Hauser & Wirth
Breonna Taylor
Amy Sherald. Breonna Taylor. 2020. The Speed Art Museum, Louisville, Kentucky, museum purchase made possible by a grant from the Ford Foundation; and the Smithsonian National Museum of African American History and Culture, purchase made possible by a gift from Kate Capshaw and Steven Spielberg/The Hearthland Foundation. © Amy Sherald. Photo by Joseph Hyde, courtesy the artist and Hauser & Wirth
A Midsummer Afternoon Dream
Amy Sherald. A Midsummer Afternoon Dream. 2021. Private Collection. © Amy Sherald. Photo by Joseph Hyde, courtesy the artist and Hauser & Wirth
A portrait of Michelle Obama seated, looking forward, with her chin resting on her hand. She wears a dress with a black and white halter top and a full white skirt featuring geometric patterns in black, white, gray, pink, yellow, and red. The background is solid light blue.
Michelle LaVaughn Robinson Obama
Amy Sherald. Michelle LaVaughn Robinson Obama. 2018. National Portrait Gallery, Smithsonian Institution; The National Portrait Gallery is grateful to the following lead donors for their support of the Obama portraits: Kate Capshaw and Steven Spielberg; Judith Kern and Kent Whealy; Tommie L. Pegues and Donald A. Capoccia; courtesy the Smithsonian’s National Portrait Gallery. Photo by Joseph Hyde, courtesy the artist and Hauser & Wirth
Miss Everything (Unsuppressed Deliverance)
Amy Sherald. Miss Everything (Unsuppressed Deliverance). 2014. Private Collection. © Amy Sherald. Photo by Joseph Hyde, courtesy the artist and Hauser & Wirth
Kingdom
Amy Sherald. Kingdom. 2022. The Broad Art Foundation. © Amy Sherald. Photo by Joseph Hyde, courtesy the artist and Hauser & Wirth
Trans Forming Liberty
Amy Sherald. Trans Forming Liberty. 2024. Courtesy the artist and Hauser & Wirth. © Amy Sherald. Photo by Kelvin Bulluck, courtesy the artist and Hauser & Wirth
Planes, Rockets, and the Spaces in Between
Amy Sherald. Planes, Rockets, and the Spaces in Between. 2018. Baltimore Museum of Art, Purchase with exchange funds from the Pearlstone Family Fund and partial gift of The Andy Warhol Foundation for the Visual Arts, Inc., BMA 2018.80. © Amy Sherald
A God Blessed Land (Empire of Dirt)
Amy Sherald. A God Blessed Land (Empire of Dirt). 2022. Tymure Collection. © Amy Sherald. Photo by Jospeh Hyde, courtesy the artist and Hauser & Wirth
For Love, and for Country
Amy Sherald. For Love, and for Country. 2022. San Francisco Museum of Modern Art, Purhcase, by exhchange, through a gift of Helen and Charles Schwab. © Amy Sherald. Photo by Joseph Hyde, courtesy the artist and Hauser & Wirth
The Boy with No Past
Amy Sherald. The Boy with No Past. 2014. Private Collection. © Amy Sherlad. Photo by Kelvin Bulluck, courtesy the artist and Hauser & Wirth
She always believed the good about those she loved
Amy Sherald. She always believed the good about those she loved. 2018. Private collection, courtesy Monique Meloche Gallery. © Amy Sherald. Photo by Joseph Hyde, courtesy the artist and Hauser & Wirth
A Bucket Full of Treasures (Papa Gave Me Sunshine to Put in My Pocket)
Amy Sherald. A Bucket Full of Treasures (Papa Gave Me Sunshine to Put in My Pocket). 2020. Private Collection. © Amy Sherald. Photo by Joseph Hyde, courtesy the aritst and Hauser & Wirth
Ecclesia (The Meeting of Inheritance and Horizons)
Amy Sherald. Ecclesia (The Meeting of Inheritance and Horizons). 2024. Courtesy the artist and Hauser & Wirth. © Amy Sherald. Photo by Kelvin Bulluck, courtesy the artist and Hauser & Wirth
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Painting by Amy Sherald of a black man in overalls and a white t-shirt standing with one foot on the wheel of a tractor in a field.
Catalogue

Bringing together nearly all of Amy Sherald’s artwork to date, a lavishly illustrated exhibition catalog encompasses the full arc of the artist’s career. Purchase your copy at the BMA Shop, where Members save 10% on all purchases.

Videos


Amy Sherald on Ecclesia: A Triptych of Lineage & Wonder

Amy Sherald’s striking triptych Ecclesia (The Meeting of Inheritance and Horizons) greets visitors at the entrance to Amy Sherald: American Sublime. Inspired by a scene from Wes Anderson’s film The Grand Budapest Hotel, the work unfolds across three panels, each telling a distinct story. Sherald invites viewers to imagine their own narrative: What is happening here? What are these subjects looking at and where might they be?


A Baltimore Homecoming: Amy Sherald & Asma Naeem in Conversation

Acclaimed artist Amy Sherald returned to Baltimore for the opening of American Sublime and a special conversation with BMA Director Asma Naeem. Watch as these two visionary voices explore how art transforms perspective, deepens understanding, and sparks imagination.


Inside Amy Sherald’s Early Work: The Story Behind Hangman

Hangman is the earliest painting featured in Amy Sherald: American Sublime. Created in 2007 during Sherald’s time at the Maryland Institute College of Art and featuring a Baltimore-based model, this work offers an early glimpse into the artist’s developing practice. Watch as Sherald reflects on this formative period and explains how Hangman contributed to the development of her now-signature use of grayscale skin tones.

Press

Press Contacts

Anne Brown
Baltimore Museum of Art
Senior Director of Communications
abrown@artbma.org
410-274-9907

Sarah Pedroni
Baltimore Museum of Art
Communications Manager
spedroni@artbma.org
410-428-4668

Alina Sumajin
PAVE Communications
alina@paveconsult.com
646-369-2050

Press Clippings

Related Events

Ongoing

Amy Sherald: American SublimeTours

Friday, October 31 & Saturday, November 1 | 10 a.m.–5 p.m.

Members Preview Days

Sunday, November 2 | 11 a.m.–2p.m.

Amy Sherald: American SublimeCommunity Day

Sunday, November 2 | 2–3:30 p.m.

A Baltimore Homecoming: Amy Sherald & Asma Naeem in Conversation

Friday, December 5 | 8–11 p.m.

Art After Hours: Step into the Sublime

Thursday, December 11 | 4:30-7:30 p.m.

Teacher Night:Amy Sherald: American Sublime

Saturday, January 10 | 1-3 p.m.

Sublime Subjectsat BMA Lexington Market

Thursday, January 15

Free Admission Day

Thursday, February 12 | 6-8:30 p.m.

Art History Happy Hour: Teri Henderson & Tracey Beale

Thursday, February 19

Free Admission Day

Staff

So much goes into the creation of an exhibition, both seen and unseen. Below is a list of BMA staff and partners whose efforts were instrumental in contributing to Amy Sherald: American Sublime.

Director’s Office & Senior Leadership: Asma Naeem, Brooke Horne, Isabel Pardo, Kim Bountress, Elisabeth Callihan, Christine Dietze, Kevin Tervala, Anna Lincoln Whitehurst

Exhibitions & Program Alignment: Sarah Hammond, Kirsten MacKenzie, Kendall Reed

Conservation: Linda Owen, Christine Downie, Oona McKay, Eclair Morton, Lauren Phillips, Adam Rush, Anne Schaffer, Mary Sebera

Curatorial: Katie Cooke, Cecilia Wichmann, Antoinette Roberts, Dylan Kaleikaumaka Hill, Leila Grothe, Oscar Flores Montero

Registration: Caitlin Draayer, Caitlyn Hediger, Barrett Moncure, Ashlin Cheyenne

Exhibition Design: David Zimmerman, Florence Wang, Olivia Tucker, Nicole Bunis

Installation: David Verchomin, Asa Osborne, Greg St. Pierre, Maggie Robbins, Mike Klunk, John Bohl, Jay DeLisio, Mary Dwan, Jeff McGrath, Zach Christensen, Jeremy Hyman, Jen Kirby, Duncan Moore

Image Services & Rights: Ana Salas, Meghan Jones

Marketing & Communications: Anne Brown, Sarah Pedroni, Jessica Novak, Nicole Miller, Emily Sierzant, Mary-Margaret Stepanian, Andrea Boston, Meg Rorison, Abigail Gruskin, Amanda Sparrow

Education: Tracey Beale, Anja Xheka, Kaitlyn Garbarino, Emily Hurwitz, Annie Bobbitt, Merrell Hambleton, Levi Lewis, Lisette Wilson

Visitor Experience: Ilhan Alyanak

Events: Alicia Crosby, Amanda Bergstrom

Advancement: Michael Carver, Doug Levering, Afi Jackson Azibo, Kaylyn Montanye

Security: Cherie Montgomery, AJ Visgil

Shop: Greg Ferrara, April Gray

Facilities & Operations: Steven Taylor, Daniel Bleemke, Tiana McDonald, Brian Wheeler, Vincent Matthews

Finance & Human Resources: Stacey Hubbard, Heather Keslar, Lisa Miller, Chris Zimmerman

IT: Beyza Akcam, Mike Crist