Previously On View
Joyce J. Scott: Walk a Mile in My Dreams is the summative career retrospective of one of the most prolific and boundary-breaking artists of our time.
The New York Times says Joyce J. Scott, “uses humor, every bit as much as art…to open up difficult conversations about race and inequality and to build community in her hometown.”
Born in Baltimore in 1948, Joyce J. Scott grapples with profound social, historical, racial, economic, and personal challenges that concern society at large in dazzling beadwork, sculpture, textiles, jewelry, printmaking, and performance. For five decades, she has upended hierarchies of art and craft, insisting that artistic expression is that “extra inch of life” that nourishes the soul even in the most challenging circumstances. Best known for her virtuosic use of beads and glass, Joyce J. Scott’s works across all media beguile viewers with beauty and humor while confronting racism, sexism, ecological devastation, and complex family dynamics.
Co-organized with the Seattle Art Museum and developed in close collaboration with the artist, this comprehensive career retrospective reveals the full breadth of Scott’s utterly unique vision through nearly 140 objects, from her woven tapestries and soft sculpture of the 1970s to her audacious genre-defying performances of the 1980s, and her ascendancy as a sculptor of astonishing social force and formal ingenuity.
The exhibition also features a participatory weaving and storytelling environment, conceived by the artist as a hub for structured and informal programming. An expansive scholarly catalog accompanies the exhibition.
Joyce J. Scott comes from a long line of makers in her family who created beautiful, functional objects in their quest for freedom out of slavery, sharecropping, migration, and segregation. A companion exhibition of Scott’s mother’s work, Eyewinkers, Tumbleturds, and Candlebugs: The Art of Elizabeth Talford Scott will be presented at the BMA through April 28, 2024.
Please note: The artist addresses all aspects of human experience in her work, including racist stereotypes, sexual violence, and the grievous history of lynching.
Joyce J. Scott: Walk a Mile in My Dreams is co-curated by Cecilia Wichmann, BMA Associate Curator of Contemporary Art, and Catharina Manchanda, SAM Jon and Mary Shirley Curator of Modern and Contemporary Art, with support from Leslie Rose, Joyce J. Scott Curatorial Research Assistant.
This exhibition and national tour are made possible by substantial grants from the Ford Foundation, Henry Luce Foundation, Terra Foundation for American Art, and The Andy Warhol Foundation for the Visual Arts.
In Baltimore, the exhibition is also supported by the Alvin and Fanny B. Thalheimer Exhibition Endowment Fund, The Dorman/Mazaroff Contemporary Endowment Fund, the Suzanne F. Cohen Exhibition Fund, Bank of America, Wagner Foundation, Joanne Gold and Andrew Stern, The Jacques and Natasha Gelman Foundation, Transamerica, the National Endowment for the Arts, the Clair Zamoiski Segal and Thomas H. Segal Contemporary Art Endowment Fund, Goya Contemporary Gallery and Martha Macks-Kahn, The Coby Foundation, Ltd., and the American Craft Council.
Archive Gallery Images
Location
Special Exhibition Galleries
Select Artworks in this Exhibition
Joyce J. Scott
Mammie Wada
1980
Joyce J. Scott
Nuclear Nanny
1982
Joyce J. Scott
Lynching Necklace
1997
Joyce J. Scott
Cobalt Rain
2010
Joyce J. Scott
Lynched Tree
2010
Joyce J. Scott
Swimmer
1970
Joyce J. Scott
Untitled (crochet dress for Leslie King Hammond)
1969
Joyce J. Scott
Untitled (leather ensemble for Leslie King Hammond)
1977
Joyce J. Scott
Spring to Fall (Four Seasons)
1984
Joyce J. Scott
Yellow Submarine
2005
Joyce J. Scott
Untitled
1989
Video
Joyce J. Scott: Walk a Mile in My Dreams at the BMA
Joyce J. Scott: Walk a Mile in My Dreams is the summative career retrospective of one of the most prolific and boundary-breaking artists of our time.
Joyce J. Scott: Walk a Mile in My Dreams
Born in Baltimore in 1948, Scott grapples with profound social, historical, racial, economic, and personal challenges that concern society at large in dazzling beadwork, sculpture, textiles, jewelry, printmaking, and performance. For five decades, she has upended hierarchies of art and craft, insisting that artistic expression is that “extra inch of life” that nourishes the soul even in the most challenging circumstances. Best known for her virtuosic use of beads and glass, Joyce J. Scott’s works across all media beguile viewers with beauty and humor while confronting racism, sexism, ecological devastation, and complex family dynamics.
Artwork
Press Contacts
Anne Brown
Baltimore Museum of Art
Senior Director of Communications
abrown@artbma.org
410-274-9907
Sarah Pedroni
Baltimore Museum of Art
Communications Manager
spedroni@artbma.org
410-428-4668
Alina Sumajin
PAVE Communications
alina@paveconsult.com
646-369-2050
Press Coverage
Related Events
March 22 & March 23 | Member Preview Days
March 23, 5:30 p.m. | Council Preview Talk & Reception
March 23, 7:30 p.m. | Members Preview Party
March 24, 1-5 p.m. | Community Day
April 11 | Free Admission
April 11 | Risk-Taking Women in the Arts Panel Discussion
June 14 | Art After Hours: Joyce J. Scott
June 23 | Free Admission
July 14 | Walk a Mile in My Dreams Performance by Joyce J. Scott