Frontispiece for Andries Pels’s 1677 ‘Q. Horatius Flaccus: Dichtkunst’

Nicolaes Visscher I

c. 1675

Ceres Searching for her Daughter Proserpine

Nicolaes Visscher I

c. 1670-1675

Aeneas and the Sibyl

Nicolaes Visscher I

c. 1670

Achillas Bringing Julius Caesar the Head of Pompey

Nicolaes Visscher I

c. 1670

Pietas format et sapientia perficit

Nicolaes Visscher I

c. 1670

Allegory of Silence

Nicolaes Visscher I

c. 1670

Minerva Defending Painting Against Envy and Ignorance

Nicolaes Visscher I

c. 1675

Commercial frontispiece with Mercury on a pedestal adorned with the arms of France

Nicolaes Visscher I

c. 1670

Crucifixion

Nicolaes Visscher I

1665-1750?

Allegory of Virtue

Nicolaes Visscher I

1665-1730?

Act One from “Julfus”

Nicolaes Visscher I

c. 1668

Venus and Cupid

Nicolaes Visscher I

1668

Satyr and Sleeping Nymph

Nicolaes Visscher I

c. 1668

Allegory of Time between Practice and Memory

Nicolaes Visscher I

c. 1670-1675

Venus and Cupid: The Four Elements, Fire

Nicolaes Visscher I

c. 1675-1680

Venus and Cupid

Nicolaes Visscher I

c. 1675-1680

Venus and Cupid: The Four Elements, Water

Nicolaes Visscher I

c. 1675-1680

Dido’s Suicide

Nicolaes Visscher I

c. 1668

The Deliberation of Aeneas and his Followers Interrupted by Dido and Anna

Nicolaes Visscher I

c. 1668

Anna Reveals her Love for Serestes

Nicolaes Visscher I

c. 1668

Frontispiece to ‘Dido’s Death,’ by Andries Pels

Nicolaes Visscher I

c. 1668

Two Illustrations from the Story of Dido and Aeneas: The Metamorphosis of Love and Aeneas Killing Turnus

Nicolaes Visscher I

c. 1668

The Lovers in the Cave

Nicolaes Visscher I

c. 1668

Love Penetrates the Heart of Dido

Nicolaes Visscher I

c. 1668