Stephen W. Parrish
A Gale at Fécamp (Normandie)
1886
Scroll
Stephen W. Parrish
A Gale at Fécamp (Normandie)
1886
Physical Qualities
Etching and drypoint with bitten and printed tone, Sheet: 458 × 591 mm. (18 1/16 × 23 1/4 in.)
Image: 351 × 402 mm. (13 13/16 × 15 13/16 in.)
Credit Line
Garrett Collection
Object Number
1984.81.113
Society of American Etchers, 1st exhibition, Autumn 1888. National Academy of Design, New York, 'New York Etching Club Exhibition,' 1887, no. 150.
New York Etching Club Exhibition, 1889, no. 115. Chicago, World's Columbian Exposition, 1893, no. 1489.
Schneider, Rona, The Mead Art Museum, Amherst College, Amherst, MA, 'The Quiet Interlude: American Etchings of the Late Nineteenth Century,' April 5-May 6, 1984, no. 36.
O'Brien, Maureen C. and Patricia C.F. Mandel, The Parrish Art Museum, Southampton, NY, 'The American Painter-Etcher Movement,' June 10-July 22, 1984, no. 43, ill p. 43; circulated to the Albany Institute of History and Art, and The Hudson River Museum.
Bruhn, Thomas P., The William Benton Museum of Art, Storrs, CT, 'American Etching: The 1880s,' Jan. 21-Mar. 10, 1985, no. 90, ill. p. 129.
Schneider, Rona, The Grolier Club, New York, 'American Painter Etchings 1853-1908,' Feb. 21-Apr. 1, 1989, ill. no. 62.
Jay Fisher, BMA, "Parallels and Precedents: The George A. Lucas Collection in Context," 23 August - 15 October, 1995.
New York Etching Club Exhibition, 1889, no. 115. Chicago, World's Columbian Exposition, 1893, no. 1489.
Schneider, Rona, The Mead Art Museum, Amherst College, Amherst, MA, 'The Quiet Interlude: American Etchings of the Late Nineteenth Century,' April 5-May 6, 1984, no. 36.
O'Brien, Maureen C. and Patricia C.F. Mandel, The Parrish Art Museum, Southampton, NY, 'The American Painter-Etcher Movement,' June 10-July 22, 1984, no. 43, ill p. 43; circulated to the Albany Institute of History and Art, and The Hudson River Museum.
Bruhn, Thomas P., The William Benton Museum of Art, Storrs, CT, 'American Etching: The 1880s,' Jan. 21-Mar. 10, 1985, no. 90, ill. p. 129.
Schneider, Rona, The Grolier Club, New York, 'American Painter Etchings 1853-1908,' Feb. 21-Apr. 1, 1989, ill. no. 62.
Jay Fisher, BMA, "Parallels and Precedents: The George A. Lucas Collection in Context," 23 August - 15 October, 1995.
Tyler, Francine, American Etchings of the Nineteenth Century: 115 Prints, New York: Dover Publications, 1984, ill. no. 80. The New York Times, Nov. 25, 1888, p. 13, col. 2. O'Brien, Maureen C. and Patricia C.F. Mandel, Nineteenth Century Etchings in the Collection of the Parrish Art Museum, Southampton, NY: The Parrish Art Museum, 1987, no. 345, ill. p. 59.
Signed: 1
Inscribed: RECTO: Signed in plate, LL in main image: 'Stephen Parrish / Fécamp'; signed LR margin (pencil): 'Stephen Parrish'; BC (pencil): 'Fecamp'.
