Antoine-Louis Barye and Brame
Angélique et Roger montés sur l’hippogriffe (bouche fermé, seconde version)
1834
Scroll
- Artist: Antoine-Louis Barye
- Foundry: Brame
Angélique et Roger montés sur l’hippogriffe (bouche fermé, seconde version)
1834
Physical Qualities
Bronze, 20 x 27 x 11 3/8 in. (50.8 x 68.6 x 28.9 cm.)
Credit Line
The George A. Lucas Collection, purchased with funds from the State of Maryland, Laurence and Stella Bendann Fund, and contributions from individuals, foundations, and corporations throughout the Baltimore community
Object Number
1996.46.46
Roger, dressed in full detailed armour with a helmet and spurs, sits astride the hippogriff. The ornament on his helmet is a tiny winged sphinx with the breasts of a woman, the body of an animal with a long tail, and a bat-like face. Roger's body is twisted to the proper right, holding a nude Angelica in his arms (his proper right arm is around her proper left shoulder, and his proper left arm is under her proper right shoulder). Angelica is half sitting/half lying sideways on the back of the hippogriff with her head to the proper right and legs to the proper left. The hippogriff has the head, body, legs, hooves (on hind legs), tail and mane of a horse, and the beak, wings, and talons (on forelegs) of an eagle--in Barye's second version its beak is closed. The hippogriff is leaping through the air with its four legs almost straight out (the proper right foreleg and talon are bent). The belly of the hippogriff rests on the back of a giant coiled sea serpent/monster with the head of a dolphin. The head of this sea monster rests beneath the flying hind legs of the hippogriff. Crushed beneath the sea monster is a giant octopus/squid, whose head and tentacles are visible beneath the forelegs of the hippogriff. The octopus/squid and the sea monster/dolphin are surmounted by stylized waves; together they form the base of the sculpture. Base: sea monster/dolphin and giant octopus/squid surmounted by stylized waves; no rim.
The Baltimore Museum of Art by purchase, 1996; from Maryland Institute, College of Art, Baltimore, by gift 1910; from Henry Walters, Baltimore, by bequest 1909; from George Aloysius Lucas, Paris
The Baltimore Museum of Art, Baltimore, "Barye: Contrasting Viewpoints", August 12-September 28, 1975.
The Baltimore Museum of Art, Baltimore, "New on View", June 19-Oct. 6, 2002.
Sona Johnston, The Baltimore Museum of Art, Baltimore, "A View Toward Paris: The Lucas Collection of 19th-Century French Art", October 1, 2006-December 31, 2006.
The Baltimore Museum of Art, Baltimore, "New on View", June 19-Oct. 6, 2002.
Sona Johnston, The Baltimore Museum of Art, Baltimore, "A View Toward Paris: The Lucas Collection of 19th-Century French Art", October 1, 2006-December 31, 2006.
Baltimore Museum of Art. The Baltimore Museum of Art: Celebrating a Museum. Baltimore: The Baltimore Museum of Art, 2014.
Inscribed: Signed on base: 'BARYE'; 'H'