Guillaume du Mortier and Giovanni Antonio di Paoli
Antonio Emanuel, Marquis of Ne Vunda
1608
Scroll
- Artist: Guillaume du Mortier
- Publisher: Giovanni Antonio di Paoli
Antonio Emanuel, Marquis of Ne Vunda
1608
Physical Qualities
Etching and engraving on paper, laid down onto historic album sheet, Sheet: 256 × 196 mm. (10 1/16 × 7 11/16 in.)
Credit Line
The John Dorsey and Robert W. Armacost Acquisitions Endowment
Object Number
2026.50
The Baltimore Museum of art by purchase, 2026; C. G. Boerner, New York, 2026; David Bindman, London; C.G. Boerner, Düsseldorf/London/New York, 1996; Princes of Oettingen Wallerstein
"Revealing the African Presence in Renaissance Europe", The Walters Museum, Baltimore, October 14, 2012 - January 21, 2013, Cat. No 67
Fromont, Cécile. The art of Conversion: Christian Visual Culture in the Kingdom of Kongo, University of North Carolina Press, 2014, this impression repr. p 160, fig 65.
Bindman, David, "Subjectivity and Slavery in Portraiture: From Courtly to Commercial Societies" in Slave Portraiture in the Atlantic World, edited by Agnes Lugo-Ortiz and Angela Rosenthal, Cambridge University Press, 2013, this impression repr. p 80, fig. 2.7.
Spicer, Joneath, ed. Revealing the African Presence in Renaissance Europe, Walters Art Museum, 2012, this impression repr. p. 135, fig 67.
Kaplan, Paul “Italy 1490–1700” in The Image of the Black in Western Art, vol. 3, part 1, edited by David Bindman and Henry Louis Gates Jr, pp. 161–163. Harvard University Press, 2010, this impression repr. p. 162, fig. 83.
Publisher
Giovanni Antonio di Paoli
Italian, active late 16th - early 17th centuries
Italian, active late 16th - early 17th centuries
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