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Bishop Benjamin Tucker Tanner - Image 1
Bishop Benjamin Tucker Tanner - Image 2

Henry Ossawa Tanner

Bishop Benjamin Tucker Tanner

1896

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Henry Ossawa Tanner

Bishop Benjamin Tucker Tanner

1896

Physical Qualities Oil on canvas, Framed: 18 1/4 in. (46.4 x 33 cm) Unframed: 16 1/8 x 11 3/4 in. (41 x 29.8 cm)
Credit Line Partial and promised gift of Eddie C. Brown, C. Sylvia Brown, and their Children, Tonya Y. Brown Ingersol and Jennifer L. Brown, Baltimore
Object Number 2002.561
Despite the artist’s rather modest inscription, “a hurried study of my dear father,” this serene portrait packs a punch far beyond its diminutive size. Henry Ossawa Tanner portrayed his father, Benjamin Tucker Tanner (1835-1923) wearing the robes of the African Methodist Episcopal Church. A discrete gold cross gleams on his chest. By the time Tanner painted the portrait, his father, long a minister in the Church, had been elected a bishop and was nationally known for his work as a prolific writer and editor of AME publications. Tanner’s reddish brown tones nod to the powerful work of the Dutch master Rembrandt van Rijn (whose work is on view in the Jacobs Wing), while his straightforward, unadorned presentation recalls his studies with Thomas Eakins at the Pennsylvania Academy of Fine Arts, Philadelphia, during the early 1880s. A portrait by Eakins hangs nearby.
The Baltimore Museum of Art by partial purchase, 2002; with Brown Family Foundation, Baltimore (90%), 2002; from Dr. Rae Alexander-Minter, Riverdale, New York, the grand-niece of the artist and great-granddaughter of the subject; from her mother, Dr. Sadie T. M. Alexander; by descent in the Tanner Family
Henry Ossawa Tanner and the Influence of Paris

Portraits of a People: Picturing African Americans in the Nineteenth Century

Henry Ossawa Tanner and his Influence in America

Ashé to Amen: African-Americans and Biblical Imagery

AMW Reinstallation 2014
BMA Today, March/April 2003 ill. p. 7
BMA Today, Winter 2005/2006, ill. p. 6
Jay Hancock, 'Fractional art donations prove charity starts at home,' "The Baltimore Sun," Sunday, 2/4/2007, 6C, ill.
Romare Bearden & Harry Henderson, "A History of African-American Artists from 1792 to the Present," NY: Pantheon Books, (date?), pp. 78-109.

Inscribed: FACE, signed and inscribed in lower right corner of painting in reddish brown paint: A Hurried Study of my Dear Father H.O. Tanner Kan. City Sep 1897 Label on frame: Wm. M. Hall Art Goods 25 27 So. 9th St. Phila. On right stretcher bar: 67 3/4 On top stretcher bar: (13 1/4); written above this: 1 1/2 22 32 Aut. T On left stretcher bar: an area that looks as if a label had been removed. Labels on blueboard backing board: - National Collection of Fine Arts T.L. 6.1969.16 - Philadelphia Museum of Art Loan 478-1900-001 cat. #4016 - Nelson-Atkins Museum retrospective exhibition 1995-6 "Across Continents and Cultures Cat. No. 21"

Artist

Henry Ossawa Tanner

1858–1936

American, 1859-1937
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Henry Ossawa Tanner
Fishing Boats at Shore, Brittany
1899–1919
Augustin Dupre and Paris Mint
"Benjamin Franklin Natus Boston" Medal
1899–1959
Henry Ossawa Tanner
Joachim Leaving the Temple
1881–1887
Pierre Alexandre Tardieu and Joseph Siffrein Duplessis
Benjamin Franklin
1777–1843
Henry Ossawa Tanner
Christ Walking on the Water
1912–1964
Louis Jacques Cathelin and Anne-Rosalie Bocquet Filleul
Portrait of Benjamin Franklin
1778
Henry Ossawa Tanner
Mosque, Tangier
1911–1913
Sir William Nicholson and Henri Floury
The Archbishop of Canterbury
1898
Thomas Phillibrown and Alonzo Chappel
Benjamin Franklin
1856
Henry Bryan Hall
Bust, Three-Quarters to Left, of a Bishop
1827–1883
Thomas Eakins
Mrs. Benjamin Eakins
1868–1878
Lelius
The Right Reverend Father in God, Thomas Sherlock, Lord Bishop of Sarum and Chancellor of the Most Noble Order of the Garter
1736