Skip to main content

Georges Martin and Compagnie des Indes

Black Chantilly Bobbin Lace Fan Leaf

1907

Scroll

Black Chantilly Bobbin Lace Fan Leaf

1907

Physical Qualities Silk, 23 1/2 x 8 in. (59.7 x 20.3 cm.)
Credit Line The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland
Object Number 1950.2010.21
Mistakenly identified as a collar in the original listing of the lace collection, this superb example of Chantilly is a fan leaf, evidence of which is the area set aside in the design for the fan guard (the outer most stick to which the end of the fan leaf is attached). However, there is no evidence to suggest that the leaf was ever mounted for practical use. This example is of such extraordinary design and workmanship that it may have been intended as an international exhibition piece. It is most likely French, the lace of that country having been described by the jury of the International Exhibition in 1851 as “the most exquisite work . . . combining perfection of design with surpassing elegance.” Sophisticated techniques have been employed to accentuate the shading and vary the texture of flora and foliage in this lace, including the use of several sizes of ground mesh and various combinations of filling stitches, such as pin-chain and honeycomb.
The Baltimore Museum of Art by gift, 1950; Etta Cone.
Anita Jones, BMA, "Chantilly: The Black Lace," Jean and Allan Berman Textile Gallery, Baltimore Museum of Art, February 5-October 15 2000.

Anita Jones, "A Legacy of Lace: Selections from The Cone Collection," Cone Wing Focus Gallery, Baltimore Museum of Art, Mar. 23-Sept. 18, 2005.

Karen Levitov and Katy Rothkopf, BMA, "Collecting Matisse and Modern Masters: The Cone Sisters of Baltimore," circulated to The Jewish Museum, New York, 6 May - 25 September 2011, Vancouver Art Gallery, 2 June-23 September 2012, Nasher Museum of Art at Duke University, 3 November 2012 - 10 February 2013.
Alastair Duncan, Art Nouveau Designers at The Paris Salons 1895-1914, Volume VI: Textiles & Leather, England, Suffolk: Antique Collector's Club/Alastair Duncan, 2002, p. 266 center photo,
BMA Today, Fall 2011 p.30
L'ART DÉCORATIF aux Salons de 1908. Librairie d'Art Décoratif. Armand Guérinet, Editeur. Paris: Armand Guérinet, 1908, pl. 86 . Title on page "Exposition de la Parure précieuse de La Femme (Musée Galliéra), Exposition G. Martin - Dentelles. Photo: Heliotypie E Le Deley Paris.
Karen Levitov, "Collecting Matisse and Modern Masters: The Cone Sisters of Baltimore," New York: The Jewish Museum, 2011, pp. 20, 78, Essay fig. 8, ill.

Explore the Collection Further

BY SAME ARTIST
TEXTILES
William Stephen Coleman
Nude Girl, Holding Palm Leaf Fan, Sitting on Stone Bench
1848–1903
Flemish Bobbin Lace Collar
1666–1699
Cap with Flemish Bobbin Lace Brim
1700–1799
Milanese Bobbin Lace Flounce for an Alb
1666–1732
Embroidered Drawn Net Bad Valance with Bobbin Lace Border
1765–1832
Honoré Daumier
Bertrand, Dis Donc, S'ils Allaient Nous Faire(Bertrand) Dis donc, s’ils allaient nous faire un mauvais parti tous ces meurt-de-faim là ?… (Robert Macaire) Qui, la populace ?… tu ne la connais pas, ça crie, ça geule après les gens riches, comme les chiens après les mendians, mais ça ne mord pas……….. c’est pas méchant c’est bête et v’la tout…… (Il crie très haut) héééé…..hopp !!….. garrrre…gare-gare !…… (Le peuple remarque avec attendrissement qu’il n’a écrasé personne et qu’il a l’air très bon enfant).
1837
Henri Matisse
Figure with Black Necklace, Seen from the Back
1905