Stuart Davis
Bull Durham
1920
Scroll
Stuart Davis
Bull Durham
1920
Physical Qualities
Oil on canvas, Framed: 36 x 21 1/4 x 1 3/4 in. (91.4 x 54 x 4.4 cm) Unframed: 30 1/4 x 15 1/4 in. (76.8 x 38.7 cm)
Credit Line
Edward Joseph Gallagher III Memorial Collection
Object Number
1952.208
Museum of Modern Art, New York, "Abstract Painting and Sculpture in America", January 23 - March 25, 1951.
Goucher College, Towson, MD, "Arts Festival", April 25 - May 9, 1956
North Carolina Museum of Art, Raleigh, 'Tobacco and Smoking in Art', October 14-December 4, 1960, no. 35, ill. p. 125.
National Collection of Fine Arts, Washington, D.C. 'Stuart Davis Memorial Exhibition', May 28 - July 5, 1965, no. 17, ill. p. 60, circulated to: Art Institute of Chicago, Whitney Museum of American Art, University of California at Los Angeles Art Gallery - through December 1965
International Art Program, National COllection of Fine Art, 'Stuart Davis', January 1-July 21, 1966, no. 6, circulated to Musee d'Art Moderne de la Ville de Paris; Amerika Haus, Berlin; American Embassy, London
Baltimore Museum of Art, 'Edward Joseph Gallagher III Memorial Collection', May 11 - June 22, 1969
The Brooklyn Museum, 'Stuart Davis: Art and Art Theory', January 21 - March 19, 1978, no. 7, curculated to Fogg Art Museum, Cambridge, MA, through May 1978.
Baltimore Museum of Art, 'American Painting 1900-1930', September 2-October 29, 1978.
National Museum of American Art, Washington D.C., 'Stuart Davis', May 22 - September 7, 1998
Darsie Alexander, The Baltimore Museum of Art, 'Mechanical Form/Mechanical Vision,' December 12, 2001-April 7, 2002.
BMA, "American Modernism from the Collection," June 25, 2003-
Whitney Museum of American Art, "In Full Swing: The Art of Stuart Davis," June 10 - September 25, 2016, National Gallery of Art, November 20, 2016-March 5, 2017.
Goucher College, Towson, MD, "Arts Festival", April 25 - May 9, 1956
North Carolina Museum of Art, Raleigh, 'Tobacco and Smoking in Art', October 14-December 4, 1960, no. 35, ill. p. 125.
National Collection of Fine Arts, Washington, D.C. 'Stuart Davis Memorial Exhibition', May 28 - July 5, 1965, no. 17, ill. p. 60, circulated to: Art Institute of Chicago, Whitney Museum of American Art, University of California at Los Angeles Art Gallery - through December 1965
International Art Program, National COllection of Fine Art, 'Stuart Davis', January 1-July 21, 1966, no. 6, circulated to Musee d'Art Moderne de la Ville de Paris; Amerika Haus, Berlin; American Embassy, London
Baltimore Museum of Art, 'Edward Joseph Gallagher III Memorial Collection', May 11 - June 22, 1969
The Brooklyn Museum, 'Stuart Davis: Art and Art Theory', January 21 - March 19, 1978, no. 7, curculated to Fogg Art Museum, Cambridge, MA, through May 1978.
Baltimore Museum of Art, 'American Painting 1900-1930', September 2-October 29, 1978.
National Museum of American Art, Washington D.C., 'Stuart Davis', May 22 - September 7, 1998
Darsie Alexander, The Baltimore Museum of Art, 'Mechanical Form/Mechanical Vision,' December 12, 2001-April 7, 2002.
BMA, "American Modernism from the Collection," June 25, 2003-
Whitney Museum of American Art, "In Full Swing: The Art of Stuart Davis," June 10 - September 25, 2016, National Gallery of Art, November 20, 2016-March 5, 2017.
Baltimore Museum of Art. The Edward Joseph Gallagher III Memorial Collection. [Baltimore, MD]: Baltimore Museum of Art, [1964], page 28.
John R. Lane, 'Stuart Davis: Art and Art Theory', Brooklyn: The Brooklyn Museum, 1978, no. 7, p. 204, p.94, ill. p. 95
William C. Agee, 'Stuart Davis: The Breakthrough Years, 1922-1924', New York: Salander-O'Reilly Galleries, Inc., 1987 (exh. cat. 11/4/1987 - 12/26/1987), fig. 2.
Barbara Zabel, 'Stuart Davis's Appropriation of Advertising: The Tobacco Series, 1921-1924', American Art, Autumn, 1991, Vol. 5, No. 4, pp. 56-67
Philip Rylands, 'Stuart Davis', 1997, p. 98-99
Kelder, Diane. 'Stuart Davis: Art and Theory, 1920 - 31,' New York: Pierpoint Morgan Library, 2002. pp. 4 ill.
Mariea Caudill Dennison, 'Burlington Magazine: Stuart Davis: standard brands and product identities in some paintings of the 1920s', 2003, ill.
Barbara Zabel, 'Assembling Art: THe Machine and the American Avant-Garde,' Jackson: University Press of Mississippi, 2004. pp.64, ill.
Cooper, Harry and Barbara Haskell, "Stuart Davis In Full Swing," Washington D.C.: National Gallery of Art, 2016, pp.60, ill.
On View: American Wing Second Floor, Scott 03
