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Josh Kline, Caroline Maxwell, and others

Capture and Sequestration

2024

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Capture and Sequestration

2024

Physical Qualities Four-channel high-definition video (color, sound), Duration: 9:52 min.
Credit Line Ellen W. P. Wasserman Acquisitions Endowment
Object Number 2025.6
Josh Kline uses video, installation, and emerging technologies to explore the social and political forces shaping living conditions in the 21st century. In Capture and Sequestration, he turns to four commodities—sugar, tobacco, cotton, and oil—whose roles in fueling the rise of the United States as a global superpower are deeply entwined with histories of slavery, Indigenous dispossession, and industrial extraction. The looping sequence references carbon capture, a proposed method for solving carbon emissions, as a metaphor for reckoning with the long-term consequences of extraction. Capture and Sequestration presents these inherited systems of harm not as relics of a distant past, but as active forces shaping the present and future.
The Baltimore Museum of Art by purchase, 2025; art hall, Baltimore
art hall, "Capture and Sequestration," October 12, 2024 to December 7, 2024.

Jessica Bell Brown, Cecilia Wichmann, and Leila Grothe, with Antoinette Roberts, Oscar Flores-Montero, Dylan Kaleikaumaka Hill, and Maura Callahan, The Baltimore Museum of Art, "Crosscurrents: Works from the Contemporary Collection," February 26, 2025 to September 3, 2026; work on view from July 11, 2025 to September 3, 2026.

Explore the Collection Further

Jean Mauger
"Capture of Tournai and Courtrai" Medal
1900-1960
Simon Fokke
Groningen Captured by the Count van Rennenberg
n.d.
Herman Frederich Deigendesch
The Capture of Ticonderoga
n.d.
James Ensor
Capture of a Strange Town
1888
James Tibbetts Willmore, William Clarkson Stanfield, and others
The Capture
1835