Etienne Carjat
Charles-François Daubigny
1864
Physical Qualities
Woodburytype (photoglyptie), Mount (1): 208 x 166 mm. (8 3/16 x 6 9/16 in.)
Mount (2): 136 x 100 mm. (5 3/8 x 3 15/16 in.)
Image/Sheet: 124 x 88 mm. (4 7/8 x 3 7/16 in.)
Credit Line
The George A. Lucas Collection, purchased with funds from the State of Maryland, Laurence and Stella Bendann Fund, and contributions from individuals, foundations, and corporations throughout the Baltimore community
Object Number
1996.48.4497
Photoglyptie is the French for the process commonly known as Woodburytype (one word). It is a photomechanical process in which the final image is composed of pigmented gelatin.
Originally part of Lucas ephemera (Daubigny)
The Baltimore Museum of Art by purchase, 1996; The Maryland Institute College of Art,
through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris
through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris
Sona K. Johnson et al, "Barbizon and Impressionist Works from The Baltimore Museum of Art" (Tokyo: "Barbizon and Impressionist Works from The Baltimore Museum of Art" catalogue committee, 2003) ill. p. 90.
Rena M. Hoisington, "Arbeit und Freundschaft: Corot, Oudinot und das Atelier in Daubignys Haus in Auvers," in "Camille Corot: Nature und Traum" (Karlsruhe: Staatliche Kunsthalle Karlsruhe and Heidelberg : Kehrer, 2012) p. 307 and ill. p. 309, fig. 9.
Inscribed: None
Markings: None
