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Chelsea Reach, Looking towards Battersea
Public Domain

Thomas Goff Lupton, Thomas Girtin, and others

Chelsea Reach, Looking towards Battersea

1825

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Chelsea Reach, Looking towards Battersea

1825

Physical Qualities Mezzotint and engraving, Sheet: 260 x 341 mm. (10 1/4 x 13 7/16 in.) Plate: 168 x 252 mm. (6 5/8 x 9 15/16 in.)
Portfolio/Series from the series, Gems of Art, Forming a Choice Collection Engraved from Pictures of Acknowledged Excellence, Beauty and Vanity Painted by Esteemed Masters of All Ages and All Countries
Credit Line Garrett Collection
Object Number 1946.112.8847
Lupton executed this mezzotint of Girtin’s watercolor 23 years after the watercolorist’s death. It is part of the series Gems of Art, published by W.B. Cooke (1778–1855), which includes mezzotints by Lupton and others reproducing a variety of famous old master paintings. It may be surprising that a watercolor like Girtin’s serene and elegant Chelsea Reach (sometimes called The White House at Chelsea, see below) was included in the series. But the watercolor was Girtin’s most celebrated work and caused the famous painter J.M.W. Turner to comment about Girtin’s short life: “had poor Tom lived, I would have starved.”
Ann Shafer, BMA, "Taking in the View: English Watercolors and Prints," 27 August - 7 December 2008.

Inscribed: lower right in plate: "Engraved on Steel by T. Lupton"; lower left in plate: "Drawn by Thomas Girtin"; lower center in plate: "CHELSEA REACH, LOOKING TOWARDS BATTERSEA / From the original Drawing, in the possession of B.G. Windus Esq.r / GEMS OF ART, PLATE 7. / London, Published Aug 1, 1825, by W.B. Cooke, 9 Soho Square."

Markings: CM: Garrett; Claghorn

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