Max Ernst
Chimeras in the Mountains
1939
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Max Ernst
Chimeras in the Mountains
1939
Physical Qualities
Oil on canvas, Unframed: 9 1/2 × 7 1/2 in. (24.1 × 19.1 cm.)
Framed: 21 1/4 × 18 1/2 × 2 in. (54 × 47 × 5.1 cm.)
Credit Line
Bequest of Saidie A. May
Object Number
1951.296
Max Ernst
born Brül, Germany 1891; died Paris, France 1976
Chimeras in the Mountains
1940
Oil on canvas
In this work, Max Ernst employed a technique called decalcomania, a process where wet paint is pressed against the canvas by another surface, usually another canvas, and pulled apart to create distinctive yet random patterns. Using a brush, Ernst then formed images suggested by these patterns, such as landscapes and surreal creatures. While Surrealists like Ernst opposed academic art esthetically, their critique extended to official art’s national and colonialist politics.
Ernst painted Chimeras in the Mountains in the French alpine village of Saint Martin d’Ardeche, where he lived with English painter Leonora Carrington in 1938 and 1939. After France and Britain declared war on Germany in September of 1939, marking the beginning of World War II, Ernst was detained for six weeks by the French authorities. The artist began this work in January of 1940 shortly after his release. The birds of prey and carrion here may allude to the fascist Nazi armies overrunning Europe at the time.
Bequest of Saidie A. May, BMA 1951.296
Publication References
The Baltimore Museum of Art News, “Catalogue of the Saidie A. May Collection of Modern Paintings and Sculpture,” March, 1950, cat. 36, p. 14.
Ades, Dawn. "The Colour of My Dreams: The Surrealist Revolution in Art," The Vancouver Art Gallery, 2011, ill. p. 135.
Greeley, Robin Adele, Samantha Kavky, Oliver Shell, and Oliver Tostmann. "Monsters & Myths: Surrealism and War in the 1930s and 1940s." New York, NY: Rizzoli Electa in association with The Baltimore Museum of Art and Wadsworth Atheneum Museum of Art, 2018, ill.
The Baltimore Museum of Art by bequest, 1951; The Baltimore Museum of Art on loan, 1942-1951; Saidie A. May, by purchase, 1942; from Art of This Century, New York
Matisse, Picasso, and the School of Paris
The Color of My Dreams: Surrealism and Revolution in Art
Monsters & Myths: Surrealism and War in the 1930s and 1940s
Cone Wing Rotations 2020
Northwest Cone Rotations 2021
Northwest Cone Rotations 2022
Northwest Cone Rotations 2023
Cone Wing Rotations 2024
Inscribed: Signed "Max Ernst" lower right.