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Monsters & Myths: Surrealism and War in the 1930s and 1940s

Previously On View

Monsters & Myths: Surrealism and War in the 1930s and 1940s
Date
February 24, 2019 - May 26, 2019

Nearly 90 Surrealist masterworks of the 1930s and 1940s by artists such as Salvador Dalí, Pablo Picasso, Max Ernst, and André Masson are presented through a timely lens—that of war, violence, and exile.

To hear the exhibition’s free audio guide featuring the exhibition curator and other experts, please bring your fully-charged smartphone and earbuds or headphones with you on the day of your visit. The BMA also has a limited number of iPods available for guests to borrow.

The exhibition is curated by Oliver Shell, BMA Associate Curator of European Art, and Oliver Tostmann, Susan Morse Hilles Curator of European Art at the Wadsworth Atheneum Museum of Art.

Sponsored By

This exhibition and related programs have been made possible in part by a major grant from the National Endowment for the Humanities and by generous funding from Transamerica and The Alvin and Fanny B. Thalheimer Exhibition Endowment Fund, and The Gladys Krieble Delmas Foundation.

Gallery Images

2019_Monsters_005_o2
This image is owned by The Baltimore Museum of Art; permission to reproduce this work of art must be granted in writing. Third party copyright may also be involved.
2019_Monsters_044_o2
This image is owned by The Baltimore Museum of Art; permission to reproduce this work of art must be granted in writing. Third party copyright may also be involved.
2019_Monsters_051_o2
This image is owned by The Baltimore Museum of Art; permission to reproduce this work of art must be granted in writing. Third party copyright may also be involved.
2019_Monsters_090_o3
This image is owned by The Baltimore Museum of Art; permission to reproduce this work of art must be granted in writing. Third party copyright may also be involved.
2019_Monsters_095_o2
This image is owned by The Baltimore Museum of Art; permission to reproduce this work of art must be granted in writing. Third party copyright may also be involved.
2019_Monsters_108_o2
This image is owned by The Baltimore Museum of Art; permission to reproduce this work of art must be granted in writing. Third party copyright may also be involved.
2019_Monsters_121_o2
This image is owned by The Baltimore Museum of Art; permission to reproduce this work of art must be granted in writing. Third party copyright may also be involved.
2019_Monsters_138_o2
This image is owned by The Baltimore Museum of Art; permission to reproduce this work of art must be granted in writing. Third party copyright may also be involved.
2019_Monsters_175_o2
This image is owned by The Baltimore Museum of Art; permission to reproduce this work of art must be granted in writing. Third party copyright may also be involved.
2019_Monsters_178_o2
This image is owned by The Baltimore Museum of Art; permission to reproduce this work of art must be granted in writing. Third party copyright may also be involved.
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Location

Special Exhibition Galleries

Floor plan Special Exhibition Galleries

Select Artworks in this Exhibition

Plate 3 from the “Black and Red Series”

Joan Miró

Plate 3 from the “Black and Red Series”

1938

Untitled

Jackson Pollock

Untitled

1944-1945, printed 1967

Minotauromachy

Pablo Picasso

Minotauromachy

1935

Study for “Dream of Venus”

Horst P. Horst

Study for “Dream of Venus”

1939

Max Ernst

Frederick Sommer

Max Ernst

1946

The Giantess

Joan Miró

The Giantess

1938

Three Statues Clothed with Covers

Dora Maar

Three Statues Clothed with Covers

c. 1930s

The Drugged Balloonist

William Baziotes

The Drugged Balloonist

1943

Deity

Wifredo Lam

Deity

1942

The Metaphysical Wall

André Masson

The Metaphysical Wall

1940

A Night Scene

Joan Miró

A Night Scene

1937

Personages Attracted by the Forms of a Mountain

Joan Miró

Personages Attracted by the Forms of a Mountain

1936

Figures and Birds in a Landscape

Joan Miró

Figures and Birds in a Landscape

1935

Summer

Joan Miró

Summer

1938

Plate 7 from the “Black and Red Series”

Joan Miró

Plate 7 from the “Black and Red Series”

1938

Seated Nude

David Hare

Seated Nude

1938, published 1943

Yellow Abstract Composition

Robert Motherwell

Yellow Abstract Composition

1942, published 1943

Diagrams for “There Is No Finished World”

André Masson

Diagrams for “There Is No Finished World”

1942

Forms in a Landscape

Matta

Forms in a Landscape

1937

Brook in the Forest

André Masson

Brook in the Forest

1937

The Two Rites

Maria Martins

The Two Rites

1942

Tauromachie

André Masson

Tauromachie

1937

Chimeras in the Mountains

Max Ernst

Chimeras in the Mountains

1940

Ophelia

André Masson

Ophelia

1937

In the Tower of Sleep

André Masson

In the Tower of Sleep

1938

There Is No Finished World

André Masson

There Is No Finished World

1942

Rocks

Matta

Rocks

1940

Portrait No. 1

Joan Miró

Portrait No. 1

1938

Water Birds

Jackson Pollock

Water Birds

1943

The Earth and the Air

Yves Tanguy

The Earth and the Air

1941

The Unattainable

Arshile Gorky

The Unattainable

1945

Headless Woman

Alberto Giacometti

Headless Woman

Original model 1932-1936; this cast 1960

Monster

Robert Motherwell

Monster

1975

Delusions of Grandeur

René Magritte

Delusions of Grandeur

1967

Untitled

Jackson Pollock

Untitled

c. 1944

Eiffel Tower

Marc Chagall

Eiffel Tower

1942, published 1943

Women in War

David Smith

Women in War

1941

Women and Bird in Front of the Moon

Joan Miró

Women and Bird in Front of the Moon

1944

Press Contacts

Anne Brown
Baltimore Museum of Art
Senior Director of Communications
abrown@artbma.org
410-274-9907