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Kuba

Cut-Pile Cloth

Kuba, Early-mid 20th century

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Kuba

Cut-Pile Cloth

Kuba, Early-mid 20th century

Physical Qualities Palm raffia, dye, 54 × 51 cm. (21 1/4 × 20 1/16 in.)
Credit Line Gift of Philip Lee Davis, Key West, Florida
Object Number 2002.694
As with the appliqué textiles on view in this and the adjacent gallery, these cut-pile cloths display an extraordinary range of designs. Of all possible pattern variations, at least two-thirds are found in Kuba textiles, a fact that seems to defy the constraints of the medium. Women created the effect of velvet by threading raffia through tightly woven cloth, then cutting the ends and running a blade back and forth across the pile until it frayed. Despite the regularity of evenly interwoven warp and weft fibers, women enliven these textiles with irregular and off-beat patterns that trick and endlessly please the eye. Multiple women might work upon a single cloth, which could take months to complete. Such sumptuous textiles have been desirable commodities within Congo and on the international market for nearly two centuries.
"Meditations on African Art: PATTERN," Mar 12, 2008-Aug 17, 2008, BMA, Karen Milbourne.
Frederick John Lamp, "See the Music Hear the Dance: Rethinking African Art at the Baltimore Museum of Art." New York: Prestel, 2003, p.205, ill.

Explore the Collection Further

Kuba, Shoowa, and others
Prestige Cloth with Thick Pile and "Double Knot" Design
c. 1950s-1960s
Kuba, Shoowa, and others
Prestige Cloth with Thick Pile and "Jagged Blocks" Design
c. 1959-1987
Kuba, Shoowa, and others
Prestige Cloth
c. 1959-1960