Albrecht Dürer
Ecce Homo
1492
Physical Qualities
Woodcut with transparent and opaque watercolor, heightened with gold and silver, Sheet: 400 x 288 mm. (15 3/4 x 11 5/16 in.)
Credit Line
Purchased as the gift of Charles W. Newhall III, and Todd Ruppert, Baltimore; and with exchange funds from Garrett Collection, and Gift of Theodore W. Strauel, Pound Ridge, New York
Object Number
2000.91
Willard Golovin, New York; Vincent Mayer, New York (Lugt 2525)
Susan Dackerman, "Painted Prints: The Revelation of Color in Northern Renaissance & Baroque Engravings, Etchings & Woodcuts," The Baltimore Museum of Art, Oct. 6, 2002-Jan. 5, 2003; tour to The Saint Louis Art Museum, February 14- May 18, 2003.
Marilyn Perry, "The Samuel H. Kress Foundation: Old Masters in Context 2000-2006," New York: Kress Foundation, 2006, p. 45.
Susan Dackerman, 'A Collector for All of Us.' "Newsletter of The Print & Drawing Society of The Baltimore Museum of Art," Fall 2004, ill. p. 13.
Carina L. Johnson. "Naming the Turk and the Moor: Prehistories of Race." In Names and Naming in Early Modern Germany, edited by Marjorie Elizabeth Plummer and Joel F. Harrington, 173-203. New York: Berghahn Books, 2019.
Signed: 1
Inscribed: VERSO: [text printed in Latin runs TC to BC]; BRC (graphite): '2T & S-242 [?]/ n. 13082 [?] # 10C [?] #343 liner 75'; BRE (graphite): '[?] 15 x 20'; LLQ (stamped in brown ink): 'V.M. [in a box]'
Markings: none - none
