Henri Matisse
Etta Cone (IV/VI)
1933-1934
Scroll
Henri Matisse
Etta Cone (IV/VI)
1933-1934
Physical Qualities
Charcoal with stumping and erasing on two joined sheets of paper, Sheet: 625 × 410 mm. (24 5/8 × 16 1/8 in.)
Credit Line
The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland
Object Number
1950.12.68
The Baltimore Museum of Art by bequest, 1949; Etta Cone, Baltimore; probable gift of the artist, 1934
BMA-organized, Wadsworth Atheneum Museum of Art, "Impressionism to Surrealism From The Baltimore Museum of Art. Selections from the Collection of Claribel and Etta Cone, Saidie Adler May and Blanche Adler," 8 February - 21 April 2002.
BMA-organized, Art Gallery of Ontario, "Matisse from The Baltimore Museum of Art, 10 October 2000 - 28 January 2001.
BMA-organized, Art Gallery of Ontario, "Matisse from The Baltimore Museum of Art, 10 October 2000 - 28 January 2001.
Cone, Etta. The Cone Collection of Baltimore, Maryland: Catalogue of Paintings, Drawings, Sculpture of the Nineteenth and Twentieth Centuries. [Baltimore, MD]: [Etta Cone], 1934, plate 96d.
Guillaud, Maurice, and Jacqueline Guillaud. Matisse: le rythme et la ligne. Paris: Guillaud Editions, 1987, plate no. 320 (published as “Etta Cone”).
O’Brian, John. Ruthless Hedonism: The American Reception of Matisse. Chicago: University of Chicago Press, 1999, p. 85.
Gabriel, Mary. The Art of Acquiring: A Portrait of Etta and Claribel Cone. [Baltimore, MD]: Bancroft Press, 2002, unpaged plate section.
Fillion, Susan. Miss Etta and Dr. Claribel: Bringing Matisse to America. Boston: David R. Godine, 2011, page 8.
Inscribed: lower right in graphite: "Henri Matisse"
Markings: WM: Arches
