A lazily looping ribbon barely contains a riot of fruits and flowers in Tiffany’s extravagant stained- glass composition. It centered a three-piece over-door transom window made for the dining room of Baltimore suffragist and philanthropist Mary Elizabeth Garrett and her partner, M. Carey Thomas, who was the president of Bryn Mawr College. Whimsical goldfish, swimming in two suspended circular fishbowls, are easily spotted, recalling bright copper fish applied to Edward C. Moore’s silver pitcher for Tiffany & Company, shown nearby. More challenging to find are six little bluebirds hiding amidst the flower petals. In 1899, Art Nouveau entrepreneur Siegfried Bing exhibited Tiffany’s original cartoon for this window at the Grafton Galleries, London, showing it along with paintings by French Impressionists such as Claude Monet and Camille Pissarro. Indeed, Tiffany’s work was a novel form of painting with light. Skillful artisans, many of them women, created spectacular light effects by plating different pieces of colored glass in layers, following the cartoon. Tiffany himself liked the flower, fish, and fruit design so much that he later replicated it for his personal retrospective gallery of stained- glass windows at Laurelton Hall, his Long Island country house.