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Segmented Plate with Design of Flowers, Fruits, and Butterflies - Image 1
Segmented Plate with Design of Flowers, Fruits, and Butterflies - Image 2
Segmented Plate with Design of Flowers, Fruits, and Butterflies - Image 3
Segmented Plate with Design of Flowers, Fruits, and Butterflies - Image 4
Segmented Plate with Design of Flowers, Fruits, and Butterflies - Image 5
Public Domain

Jingdezhen kilns

Segmented Plate with Design of Flowers, Fruits, and Butterflies

1706-1712

Segmented Plate with Design of Flowers, Fruits, and Butterflies — thumbnail 1
Segmented Plate with Design of Flowers, Fruits, and Butterflies — thumbnail 2
Segmented Plate with Design of Flowers, Fruits, and Butterflies — thumbnail 3
Segmented Plate with Design of Flowers, Fruits, and Butterflies — thumbnail 4
Segmented Plate with Design of Flowers, Fruits, and Butterflies — thumbnail 5
Scroll

Jingdezhen kilns

Segmented Plate with Design of Flowers, Fruits, and Butterflies

1706-1712

Physical Qualities Porcelain with overglaze painted enamel (hua falang) and gold decoration, Overall: 1 × 20 1/16 in. (2.6 × 51 cm.)
Credit Line Gift of Amy Gould and Matthew Polk, Gibson Island, Maryland
Object Number 2014.166
The Kangxi Emperor (1654–1722) took a personal interest in the arts and science and was aware of European technology. After first requesting the presence of French Jesuit missionaries skilled in science and art, the Emperor summoned a German expert to guide the refinement of hua falang (painted enamel) decoration. In 1693, the Kangxi Emperor set up 14 imperial workshops, including an enamel-on-metal workshop. In 1696, a glass factory was added which the Emperor invited Kilian Stumpf (1655–1720), a German Jesuit, to direct. Stumpf Chinese artists in producing glass vessels, preparing enamel colors, and improving the quality of painted enamels on porcelain. His lessons resulted in this plate’s bright, clear, colorful decoration that expresses a wish for longevity.
The Baltimore Museum of Art by gift, 2014; Matthew Polk by purchase, c. 1983; John S. Pearson Company, Baltimore, 1983; Priscilla Ridgely Smith Lyne (d. 1983), Salisbury, MD, 1980; University Museum, Philadelphia, 1972-1980, as an extended loan; from her husband, Henry Lyne, Jr. (1908-1978), Haverford, PA and St. John's, VI, 1959; from his first wife, Ann West Jenks Lyne (1912-1959), 1946; from her father, John Story Jenks (1876-1946)
Collection installation, Levy Gallery, Baltimore Museum of Art, October 5, 2023-

Inscribed: None. Ink on adhesive labels, bottom of several dishes, "John S. Jenks", "L-738-80" and "L-738-91"

Markings: None.

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