Unidentified, probably American
Formal Sash (maru obi)
1899
Physical Qualities
Silk with supplementary wefts of silk, metal-leafed paper strips, and metal-leafed paper strips wrapped around a silk or cotton thread core
, 160 x 12-1/2 in. (406.6 x 31.8 cm.)
Credit Line
Gift of Clara Jane Shaull, Monkton, Maryland, from the Collection of Robert S. Shaull
Object Number
1990.295
A long narrow stiff obi composed of one width folded in half of complex woven nishiki fabric (polychrome figured silk with wefts of silk and metal-leafed paper strips wrapped around a silk or cotton thread core). The pattern includes a background of diamonds within diamonds (hishi) on which are placed fantastic flowers (hosoge), along with smaller scrolling stems and leaves (kara kusa). Colors include off-white, tan, light brown, light blue, dark blue, light green, medium green, dark green, lavender, purple, light orange, dark orange, metallic silver, and metallic gold threads. (The pattern repeat is 22".)
The sewing stitches along the once seamed edge have been takekn out and the lining, which would have stiffened the obi even more, has been permanently removed.
The Baltimore Museum of Art by gift 1990, Clara Jane Shaull, ex. collection Robert S. Shaull, (husband) by purchase in Manchuria.
Anita Jones and Ann Marie Moeller, The Baltimore Museum of Art, Baltimore, MD, "Kimono and Obi: Romantic Echoes from Japan's Golden Age," July 10, 2016 - January 15, 2017.
Katherine Rothkopf and Frances Klapthor, The Art of Pattern: Henri Matisse and Japanese Woodcut Artists, The Baltimore Museum of Art, June 2, 2024-Jan. 5, 2025
Katherine Rothkopf and Frances Klapthor, The Art of Pattern: Henri Matisse and Japanese Woodcut Artists, The Baltimore Museum of Art, June 2, 2024-Jan. 5, 2025
Inscribed: None.