Fragment of Roundel (Orbiculus) with Pyrrhic Dancer and Nereids
300-600
Physical Qualities
Wool, 8 3/4 x 8 3/4 in. (22.2 x 22.2 cm.)
Credit Line
The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland
Object Number
1950.2016.1
This exquisite tapestry-woven roundel is probably one of a pair from a tunic. In the center circle, a kneeling Pyrrhic dancer holds a shield in one hand while raising the other in a signal of victory. The Pyrrhic dance was used in Greece over the centuries for military training, and was still recognized at the time this medallion was woven. The outer section is filled with swimming Nereids (water nymphs) alternating with vessels filled with flowering grapevines—references to the celebration of fertility and abundance associated with the Greek god of wine Dionysus. The religious and political changes taking place in Egypt from the 4th through 12th centuries gave rise to an intermingling of Greek, Roman, Muslim, Jewish, and Christian traditions. In Egypt, Greek images of Nereids might have been interpreted as a celebration of the Nile River. Egyptians who wore such emblems on their clothing depended on the Nile for their wealth and elevated lifestyle.
The Baltimore Museum of Art by gift, 1950; Etta Cone.
Anita Jones, The Baltimore Museum of Art, Timeless Weft: Ancient Tapestries and the Art of Louise B. Wheatley, February 1–July 30, 2017.